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23 Ass-Eating Tips From People Who Have Seen Some Shit

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Beware the booty flakes.

By the way: A list of tips where every item will appeal to every person probably doesn't exist, so take what you like and leave the rest. Also, it's important to talk about any new or different sex things with your partner before trying them. Consent is everything; please enjoy these tips responsibly!

Always, always clean down there properly because, yes, it's true, that's where poop comes out.

Always, always clean down there properly because, yes, it's true, that's where poop comes out.

—Pretty much everyone who responded

Twitter: @CLOUDEFOREVER

In fact, wash your partner's ass yourself as a part of foreplay — that way you can make sure it's as clean as you need it to be.

In fact, wash your partner's ass yourself as a part of foreplay — that way you can make sure it's as clean as you need it to be.

My trick is to wash my honey’s backdoor myself. Do it in a way that’s sensual. He gets why, and I get peace of mind, so that I can feel free to go to town. Both of us end up very happy!

kellyb4008c2352

Andreypopov / Getty Images

Start with moving a flat tongue up and down, then slowly make it more pointed and start circling.

Start with moving a flat tongue up and down, then slowly make it more pointed and start circling.

No complaints to date.

brentl463e739f3

Anna Borges / BuzzFeed

Be super liberal with spit.

Be super liberal with spit.

Constant spit helps.

michaelbruceperkinsj

Nickelodeon / Via imgur.com

And pay attention to your partner's genitals while you're at it.

And pay attention to your partner's genitals while you're at it.

I like to call it the trombone technique: make sure while rimming to use your hand to continually jack them off.

kodys41f2345f4

Don't forget the vagina and clitoris, and use your fingers to stimulate there.

darknepthys

Universal Pictures

Penetrate them with a pointed tongue.

Penetrate them with a pointed tongue.

brentl463e739f3

Live Leak / Via benigoat.tumblr.com

Stimulate the spot between the anus and the vagina or balls.

While you are licking the butthole don't forget the taint.

momoftwo

instagram.com

Don't use teeth on or around the opening — the skin there is reeeally sensitive and prone to irritation.

Don't use teeth on or around the opening — the skin there is reeeally sensitive and prone to irritation.

josephm4d7d6665d

NickiMinajAtVEVO / Via giphy.com

But do incorporate some playful cheek bites, if your partner's into it.

But do incorporate some playful cheek bites, if your partner's into it.

jarrette4e37c917f

Ostill / Getty Images

Play around with different positions to find out what's best for both the giver and the receiver.

Play around with different positions to find out what's best for both the giver and the receiver.

I like bending over a couch or desk while my partner kneels behind me. Putting my legs up and spreading my cheeks myself is great too. Face-sitting is great for my partner's neck. We switch it up.

—Anonymous

Little Stranger / Via giphy.com

And don't be afraid to incorporate a pillow to make the position juuust right.

And don't be afraid to incorporate a pillow to make the position juuust right.

Stack pillows under your bum or under your pelvis if you're laying face down.

—Rose R., Facebook

Michael Burrell / Getty Images

Suction with your lips over the opening and suck on it.

josephm4d7d6665d

instagram.com

Use dental dams.

Use dental dams.

These helpful pieces of latex are great for not only STI protection, but especially when eating ass, they can save you from any 'unsavory' tastes or experiences. If you don’t have any, you can cut the tip off of a condom and cut it lengthwise, and BAM. Mouth protection.

thomasheaf

@refuserubbish / Via instagram.com

Use your whole tongue, not just the tip.

Use your whole tongue, not just the tip.

—Ricardo Rocha, Facebook

Sony Pictures / Via buzzfeed.com

Have your partner sit on your face and push your tongue upwards.

Have your partner sit on your face and push your tongue upwards.

Allow your tongue to put pressure on their hole. The tip should feel like it's pushing its way inside them.

jordanr4ae7d590b

The CW / Via topmodeltmblr.tumblr.com

Blow air and breathe to mix up the sensation.

Blow air and breathe to mix up the sensation.

You can breathe warm air or blow cooler air on wet skin. Always ends in shivers.

—Anonymous

NBC / Via reddit.com

And don't forget to come up for air yourself.

And don't forget to come up for air yourself.

You can use that opportunity to check in with your partner about how they like it.

—Anonymous

Starz / Via giphy.com

Use the old ~spell out words with your tongue~ trick.

Use the old ~spell out words with your tongue~ trick.

I like to write out words with my tongue on his butt hole like, "I'm gonna bang you so good you'll be moaning my name all week." I've never met a guy who has figured it out, though.

shooterboy69

The CW / Via tenor.com

Douse mouthwash on a rag and keep it nearby just in case you need to do some bad taste damage control.

Douse mouthwash on a rag and keep it nearby just in case you need to do some bad taste damage control.

michaelbruceperkinsj

NBC / Via imgur.com

Press against the hole with a finger every now and then.

Press against the hole with a finger every now and then.

Don't jam a finger inside but apply steady pressure to the butthole.

michaelbruceperkinsj

Comedy Central / Via newnownext.com

Start super gently to tease and help them relax.

Start super gently to tease and help them relax.

It’s subtle. Gently run your tongue around their hole. Then you forcefully lick up while pushing your tongue inside of them. Following this, you forcefully run your tongue back down with the backside of your tongue. Guaranteed moans and easier entry.

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imgur.com

Lastly, just be enthusiastic because no one likes a half-assed rim job.

Lastly, just be enthusiastic because no one likes a half-assed rim job.

If you aren’t excited to do it, it will show.

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HBO / Via imwithkanye.tumblr.com


People Are HERE For The Black Lesbian Superhero On "Black Lightning"

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Only two episodes in and we all stan Anissa Pierce.

If you're not yet watching Black Lightning on the CW, let's quickly bring you up to speed. Spoilers ahead, obviously.

If you're not yet watching Black Lightning on the CW, let's quickly bring you up to speed. Spoilers ahead, obviously.

The CW

Actor Nafessa Williams plays Anissa Pierce, a young superhero with other-worldly abilities (that she is only just starting to discover).

She's actually the daughter of the show's hero, Black Lightning, but she doesn't* know* her dad is Black Lightning — it's a whole thing. It's also a comic book, so read that too.

Instagram: @cw_blacklightning

Ouch.

Ouch.

The CW

Oh, and she's super-duper canonically gay.

Oh, and she's super-duper canonically gay.

The CW

And the show is actually giving The Gays what they want, right away, in Episode 2!

And the show is actually giving The Gays what they want, right away, in Episode 2!

The CW

*Screams silently for the joy of representation*

*Screams silently for the joy of representation*

That's it. That's all you need to know.

The CW

It's something a lot of people weren't used to seeing on their TV screens, especially if you yourself are a black, queer, woman:

It's something a lot of people weren't used to seeing on their TV screens, especially if you yourself are a black, queer, woman:

Twitter: @tomkiiPP

cosimasphd.tumblr.com

Executive producer Salim Akil made it clear in a recent interview that there won't be any "special episode" focusing on Anissa's coming out story or sexuality — because that's not the point!

Executive producer Salim Akil made it clear in a recent interview that there won't be any "special episode" focusing on Anissa's coming out story or sexuality — because that's not the point!

"I just want it to be what it is, just life. Just her life," Akil told POPSUGAR. "So if you notice, in the second episode, we just open up on this scene, and there she is with her girlfriend. If you were to do that with a guy and a girl, it wouldn't be anything. But to see these black women, natural, having a conversation not about their sexuality but about what she's going through, to me that's more profound than having a very special episode."

The CW

And Williams? Yeah, she's here for it too.

And Williams? Yeah, she's here for it too.

Instagram: @nafessawilliams

"She's walking boldly and unapologetically in who she is," the actor told Teen Vogue in a recent interview about her character.

"She's walking boldly and unapologetically in who she is," the actor told Teen Vogue in a recent interview about her character.

Mike Coppola / Getty Images

It's amazing to watch because I've been getting on social media a lot of comments. Not even just black lesbians, just young lesbians everywhere who want to see more of themselves on TV and show what the life of a lesbian is like. You're gonna go on that journey with Anissa. It's also cool because my parents on the show, they're very accepting and open about my sexuality. I hope that parents watching are inspired to support their lesbian or gay child.

So? What more do you need to know? Get watching!

So? What more do you need to know? Get watching!

The CW

Just A Few Things Pansexuals Want You To Know About Being Pan

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“The hardest part is all the jokes about cast iron.”

Sexuality can be confusing, gender can be confusing — but sometimes it's all very simple. Enter: Pansexuality.

Sexuality can be confusing, gender can be confusing — but sometimes it's all very simple. Enter: Pansexuality.

*Flips open dictionary* It's just likin' people — with no preference for a certain gender or gender expression!

Netflix

We sat down with some pansexual folks to set aside the tupperware jokes — OK, maybe we made one or two — and talk about what being pan is really ~all about~.

We sat down with some pansexual folks to set aside the tupperware jokes — OK, maybe we made one or two — and talk about what being pan is really ~all about~.

BuzzFeed

Like, for starters, that some people see it as something very different than bisexuality...

Like, for starters, that some people see it as something very different than bisexuality...

BuzzFeed

... but if you choose to use the terms interchangeably, that's totally fine too. You do you.

... but if you choose to use the terms interchangeably, that's totally fine too. You do you.

BuzzFeed

"The more people understand gender, the more willing they might be to accept pansexuality into their vocabulary."

"The more people understand gender, the more willing they might be to accept pansexuality into their vocabulary."

@TheRealAlexBertie

Just because you're attracted to everyone doesn't mean you're... attracted to everyone.

Just because you're attracted to everyone doesn't mean you're... attracted to everyone.

BuzzFeed

And pansexuality has nothing to do with any of the following:

And pansexuality has nothing to do with any of the following:

Though, bread IS great.

Coming out can be an overwhelming experience, and that feeling might not go away right away.

Coming out can be an overwhelming experience, and that feeling might not go away right away.

Or ever, really.

And even if you're confident and proud, it can still be hard to feel completely welcomed within your own community.

And even if you're confident and proud, it can still be hard to feel completely welcomed within your own community.

BuzzFeed

*Deep sigh*

*Deep sigh*

posi-pan.tumblr.com

You're brave for just being, well, yourself.

You're brave for just being, well, yourself.

After all, that's the best part about being you.

After all, that's the best part about being you.

You can watch the full video here:

View Video ›

Facebook: video.php

How Do Your "All Stars 3" Premiere Opinions Compare To Everyone Else's?

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Spill the tea, squirrel friends.

Read This Excerpt From One Of 2018's Most Exciting Books

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Abbey Lossing for BuzzFeed News

Girrrl

Before there was Dorian and before there was Hector, there was 1980 — the year that things began to change. Diana Ross was pumping on the radio, Angel was sixteen years young and already she felt she was being turned upside down, inside out, boy oh boy, everything was turning around-around. If the seventies were the decade of disco, then the eighties would be what? — the beginning of a new era? — the decade of the sequin? It was the time that Angel the he became Angel the she — even if it was only something felt within the deepest layers of her soul, she knew that it was there, underneath the skin and the bone, as thin as a sheet of silver foil.

It’s not that she felt trapped in her boy body. She felt as libre as a paloma on a humid summer night, flying up and around the project buildings of Da Boogie Down. How good it felt to say she! — because she didn’t need to be a woman as much as she needed to have the air of a woman. So when her mother and brother Miguel were out of the house to run the weekly errands, Angel would take off her jeans and shave her legs. She stood there naked in front of Mami’s vanity. She tucked her stuff back — up and away with a piece of duct tape — and closed her legs so that they crossed like an X.

Her skin was so smooth, her body so lean. But then there was her face. She knew she wasn’t nobody’s conception of cute, pero maybe when she got older she could cover it up with makeup. She could put on fake lashes, tweeze her brows, and put liner on her lips to make them look more plump. Years later, she’d think back on those nights and wonder what in Christ she was thinking being all tacky-tacky like that. Pero in the moment, it all felt right and she — for the first time that day — felt beautiful.

In the moment, it all felt right and she — for the first time that day — felt beautiful.

She took out the crumpled picture of Bette Davis that she hid inside her science textbook. She loved Bette Davis because she loved her sass. On summer nights, she sneaked down to the midnight showings of Bette’s flicks in the Village and Chelsea multiplexes. She loved the drama of it all. She had picked up smoking because Bette Davis made it look so classy. Then eventually she found herself hooked to the damn things.

Miguel, who was only two years younger than Angel, had a stash of Newports hidden under his bed, so she took one and watched in the silver reflejo of the mirror as the smoke curled out of her lips. She walked to the bathtub and finished smoking while lounging in the water.

Once the cig was done, she dipped the end of it into the water, got out, and dried herself down. She always feared that Mami and Miguel would arrive home earlier than expected. (Ay, Dios mío, the Pathmark was closed down, Mami would say, but I forgot my wallet on top of the microwave, and what the fuck are you wearing?) What would Angel say then? Caught red-handed, smooth-legged, in her mother’s silk kimono that was so long, it looked like she was a tree made of flowing silk.

She imagined it would go something like this: Mami would cry and smack her with the broom, scream the Apostles’ Creed and threaten to call the santera lady to cleanse Angel with chicken blood and soothing tree oils, or some mierda like that. Miguel would watch, too stoned para decir nothing. And as this fantasy-nightmare played in Angel’s mind, she practiced the lines from What Ever Happened to Baby Jane in the mirror:

—You wouldn’t be doing these awful things to me if I weren’t still in this body.

—But you are, Angel! [mouthing to the mirror, pointing a finger at her reflection as the bath water got swallowed by the drain] You are in that body!

She met Jaime one day when she was gliding around St. Marks looking for an outfit that would pop. Jaime worked behind the sales counter even though he looked so bored at it — the kind of guy who seemed to have stumbled into fashion because he was beautiful. But it was his boredom that looked mad cute, like it was some kind of accessory that he was working. He had a fitted light-denim jacket and black pants that were so tight, Angel got a peek at his bulge.

Pero Jaime didn’t give her no time of day. He just sold her the glitter nail polish she wanted with that same blank look of boredom. As she walked toward the door, she could feel his presence walking right behind her. She thought of what she could do: side-glance at a pair of black leather pants to ask the price (she was too flaca to make them pass), or drop the nail polish on the floor (and risk breaking the damn bottle?!), or just turn around and say, The weather today is crazy, ain’t it (but girl, her stomach was in knots, and besides, the weather was perfectly natural), so she didn’t do or say nada. And it was for the best, because homeboy was just looking to take a drag on his cigs, not nothing more, not nothing less.

He became Angel’s recurring daydream. In these fantasies, Jaime and Angel were never in the same spot. In one, they’re on a dance floor and nobody stands between them. Blondie is on blast. Even though she can’t hear the music, she can feel it and knows that it is so. In another, they’re at the Botanical Garden next to some flowers she never knew the names of. In yet another, they’re on the subway platform at Grand Central watching a tourist scream at a rat. And the same thing happens in each one: that is to say, nothing. Nothing happens: they make uninterrupted eye contact, the kind of eye contact that feels like it is penetrating warmth into her body, but Angel can’t think of anything to say. They stare and stare and Angel knows she gotta say something to fill the silence, and because she’s daydreaming, it’s almost like she can feel the words dangling from the tips of her fingers, but they can never travel to the tip of her tongue and come out of her mouth.

Nothing changed in her fantasies, nothing ever changed, day after day, night after night, except what she was wearing.

Nothing changed in her fantasies, nothing ever changed, day after day, night after night, except what she was wearing. Sometimes a tight silver lamé onesie, or leather chaps (that one gave her cold sweats when she woke!), or another time it was just a simple little black dress or pair of jeans. She’d want to tell him that he was cute, that her body longed for his, but nothing would come out of her mouth, and then she would force herself to wake.

A month later, she decided that she had to go back to the store to throwdown. And by throwdown, she didn’t mean nothing violent or whack. By throwdown, she meant, ask for his number. When she arrived, however, he wasn’t at the counter. In his place, there was a chica as pale as costume pearls. She was wearing black lipstick, black pants, black eyeliner. Angel watched as she leaned against the counter and glanced back at Angel, probably to calculate if Angel was worth helping. The girl gave Angel a once-over, then went back to her nails.

“Pardon me,” Angel said. “Can I ask you something?”

The girl didn’t look up from the ferociousness of her nail filing. Angel asked again.

“I heard you,” the girl said. “I heard you the first time.”

Angel did not appreciate the tone or the attitude. “Well,” Angel said. “Can I ask you then?”

The girl gave her a long set of eyes. “I suppose,” the girl said, planting the nail file down on the counter as if she were in pain.

Angel explained that she was there the month before to buy, well, it didn’t matter what she bought, but she was helped by this dude. She didn’t mention the bored face or the cigarettes or the dreams she had of making awkward, uninterrupted eye contact while wearing nothing but silver lamé. Instead, she described the way his chin pointed just so, the way his eyebrows were groomed, and how his hair went just a tad over his ears, like some cover model for Christopher Street magazine that Angel had once seen with the caption: INTERVIEW WITH THE BUTCHEST MAN ALIVE.

“Oh, you mean Jaime?” the girl said. She rolled her eyes and Angel wanted to pry those eyelids open with her fingernails. “Of course you would be looking for Jaime. I should’ve known. Every little queen south of Fourteenth is looking for Jaime.”

“Well I got news for you,” Angel said, the sass in her voice unintended until it actually came out. “Do I look like one of those Fourteenth Street hippies? Girl, I am from da Boogie Down Bronx. Just look at this style.”

It was true that Angel shouldn’t have given off any other aura than that of the Bronx, and maybe if that girl wasn’t rolling her eyes up to the back of her head every time Angel spoke, she would’ve seen Angel’s cute white T-shirt and Yankees cap. Angel’s style that day was giving vibrations of the little flaco Boricua boy that Angel’s body inhabited. Only in those dark moments at night, when she was alone at home, would she allow herself to indulge in her feminine beauty.

The girl blew a giant gum bubble. A pink ball against black makeup. Angel watched as the bubble grew bigger and bigger and hit the tip of her nose. Then it popped. As she reeled the deflated gum back into her mouth, Angel saw the black lipstick smudged on the gum.

“Ugh,” the girl said, like it was a statement. “The Bronx.”

“Yeah,” Angel said. “What of it?”

“What a shithole.”

As it turned out, Jaime was on his lunch break. Angel should have figured that out, and even though the girl clearly wanted Angel out of her nose hairs, Angel stayed and pretended to finger through the racks of clothes that were too punk rock for her to ever pull off. When Jaime returned with a McDonald’s soda cup in his hand, the girl raised her eyes, popped her gum, and said, “Jaime baby, you got another visitor.”

The girl punched out and left without any goodbye. They were alone in the store and Angel was fishing for something to say. She settled on asking him what he got at Mickey D’s.

“That’s the question you’re gonna ask me?” Jaime said. He was smirking at her from where he stood at the back of the store, near the dressing room that was really nothing more than a side alcove with a red curtain as a door. “I remember you,” he said.

Angel was too nerviosa to ask something else, or dish out her usual dose of sass that she usually flung when someone was short with her. “Yeah,” she said. “I just wanted to know.”

Then, just like in her dreams, they stood at opposite ends of the store, alone, giving each other long eye contact in total silence. At least in the comfort of her fantasyland, she could startle herself awake, but she knew that now, since this was a real-life moment, she couldn’t do none of that. His eyes scanned her up and down and she felt naked under the heat of his attention. “Come over here,” he said. “There’s something I want you to do.”

Her heart raced as she walked over to the dressing room. Once they were inside together, Jaime pulled the curtain shut. Angel wanted to ask what would happen if a customer came in, but she knew better than to say anything. They both faced the mirror, which was an eight-foot ordeal leaned against the wall in all its hand-smudged glory. She loved that Jaime and the girl hadn’t even bothered to clean the glass that day, as if there was no point to cleaning a surface that would be smudged again.

Jaime sat down on the stool and told her to undress. When she was finally naked, nipples tight with excitement, Jaime said he’d be right back and swooshed around the curtain. He returned with a tight silver dress, size who-knows-how-small, but it fit Angel’s figure like plastic wrap over a plate of chuletas: tight but giving. She slipped it on and when she finally stared at herself in the mirror, then at Jaime staring at her through the mirror, she raised her arms to the side like she was about to launch into flight. Head back, mouth open, she closed her eyes and laughed. Free, she thought, totally free.

It was the kind of freedom you felt when someone was looking at you and finally saw what others couldn’t see because it had been bottled away for so long.

It was the kind of freedom you felt when someone was looking at you and finally saw what others couldn’t see because it had been bottled away for so long. Angel had walked into that store in boy clothes, and there was Jaime, who had seen her and knew. How Jaime had known that Angel was the type of maricón to wear a dress, Angel didn’t know.

When she turned around to face him, she saw his eyes devouring her. She felt it — like she had an invisible hook attached to her body and she was going to reel him in, until he was closer, closer, closer.

“Turn around,” he told her, grabbing her shoulders in order to swivel her body back around. “I wanna do something to you, you slut.”

She faced the mirror as he bent her body down enough so that he could pull the bottom of the dress above her hips. He bit her right nalga, then he slapped her ass. She wasn’t expecting it, as if it were a sheet of glass about to smash into a concrete slab. The next morning, she would look at the bite mark in the mirror and think about how it looked like an itty-bitty bear trap had closed in on her, but then, when the bell at the front of the store jingled, Jaime stopped slapping her ass. He told her not to make a sound, and then he left her there all alone.

27 Times The "All Stars 3" Premiere Made Me Spit Out My Vodka Soda

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I love being gay.

When the show opened with The Handmaid's Tale spoof featuring Drag Race Hall of Fame-ers Alaska and Chad Michaels...

When the show opened with The Handmaid's Tale spoof featuring Drag Race Hall of Fame-ers Alaska and Chad Michaels...

VH1

...complete with "Ofrupaul" name placards underneath their portraits in the Hall of Fame.

...complete with "Ofrupaul" name placards underneath their portraits in the Hall of Fame.

VH1

When Trixie Mattel skated around the empty workroom and proclaimed, "It's like a Morgan McMichaels meet and greet in here!"

When Trixie Mattel skated around the empty workroom and proclaimed, "It's like a Morgan McMichaels meet and greet in here!"

VH1

When Chi Chi DeVayne entered the workroom in trash bags. THAT BRAND!

When Chi Chi DeVayne entered the workroom in trash bags. THAT BRAND!

VH1

When Morgan McMichaels walked into the workroom saying, "I look pretty good for a dead bitch."

When Morgan McMichaels walked into the workroom saying, "I look pretty good for a dead bitch."

VH1

When Aja went off about all the work she had done...

When Aja went off about all the work she had done...

"I had my lips, my cheeks, my chin, my skin...I had botox in my forehead."

VH1

...and then Trixie chimed in with:

...and then Trixie chimed in with:

VH1

When Trixie saw Kennedy Davenport's entrance look and said, "COME THRU WHOVILLE!"

When Trixie saw Kennedy Davenport's entrance look and said, "COME THRU WHOVILLE!"

VH1

When I saw Shangela's arms. I mean, HONESTLY.

When I saw Shangela's arms. I mean, HONESTLY.

VH1

When Bebe walked into workroom as the surprise queen!!! OK, REDDIT DETECTIVES!

When Bebe walked into workroom as the surprise queen!!! OK, REDDIT DETECTIVES!

VH1

When Trixie held NOTHING BACK when she read Aja.

When Trixie held NOTHING BACK when she read Aja.

VH1

When Ben's read compared Thorgy to IT so, so, SO, perfectly.

When Ben's read compared Thorgy to IT so, so, SO, perfectly.

VH1

When Bebe delivered her read to Morgan McMichaels.

When Bebe delivered her read to Morgan McMichaels.

"I'm not going to read Morgan McMichaels… life already has!"

VH1

And when Chi Chi read Milk and got a little TOO honest.

And when Chi Chi read Milk and got a little TOO honest.

VH1

When Trixie was picking her workspace and DRAGGED Pearl.

When Trixie was picking her workspace and DRAGGED Pearl.

VH1

When Morgan McMichael's shaded the queen's gameplay during All Stars 2 and mimed breast feeding.

When Morgan McMichael's shaded the queen's gameplay during All Stars 2 and mimed breast feeding.

VH1

When Trixie tried to tongue-pop.

When Trixie tried to tongue-pop.

VH1

When Mama Ru walked down the runway for the first time this season because, um, yas.

When Mama Ru walked down the runway for the first time this season because, um, yas.

VH1

When Shangela death dropped at the end of her performance.

When Shangela death dropped at the end of her performance.

VH1

When Bebe ripped off that skirt and went AWF.

When Bebe ripped off that skirt and went AWF.

VH1

When Aja made this face during Thorgy's performance:

When Aja made this face during Thorgy's performance:

VH1

And then when it was Aja's turn and she death dropped OFF OF THE FUCKING BOX!!!!!! LIKE WHAT!!!

And then when it was Aja's turn and she death dropped OFF OF THE FUCKING BOX!!!!!! LIKE WHAT!!!

VH1

When Kennedy wasn't going to be upstaged by Aja, so she flipped ONTO the box.

When Kennedy wasn't going to be upstaged by Aja, so she flipped ONTO the box.

VH1

When it was time for the judges critiques and RuPaul asked Michelle if she's going to make anyone quit again.

When it was time for the judges critiques and RuPaul asked Michelle if she's going to make anyone quit again.

VH1

When Thorgy wasn't here for Vanessa Hudgen's critique.

When Thorgy wasn't here for Vanessa Hudgen's critique.

VH1

When Milk hilariously shaded All Stars 2.

When Milk hilariously shaded All Stars 2.

VH1

And finally, the ENTIRE "Anaconda" lip-sync because:

And finally, the ENTIRE "Anaconda" lip-sync because:

VH1

I LOVE BEING GAY!!!

I LOVE BEING GAY!!!

VH1

21 Wild Group Sex Fantasies People Actually Have

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Threesomes and foursomes and moresomes, oh my.

Keep in mind: Your sexual fantasies are not bad or shameful. It's perfectly natural to fantasize about some wild scenarios — even ones that you have no desire or intention to carry out IRL.

Here are what some other people are fantasizing about:

A threesome with two bisexual guys where I am wearing a strap-on. I'm in the middle of a sandwich pegging a guy while the other guy is getting me from behind.

—36/Female/Straight

HBO

I would love to have sex with multiple men at once. Yup, a good ol' gang bang. Something about multiple men entering me at once in multiple locations makes me crazy. I would also like to attempt double penetration in said gang bang. To each their own, I suppose.

—25/Female/Heterosexual

Kristen Stewart is my #1 female celebrity crush and Robert Pattinson is my #1 male celebrity crush. I would die to be in a threesome with the two. NO TWILIGHT ROLE-PLAY FANTASY HERE. That's gross. Just the two of them as themselves.

—22/Female/Lesbian

Summit Entertainment

I have always fantasized about getting hazed after rushing a sorority. Like, me and all the other pledges naked and degraded, and forced to fuck each other while the upperclassmen watch. Sometimes frat guys are brought in and we have to service them, too, but mostly it's all ladies.

—21/Female/Straight

My roommate and I both have girls over at our dorm, and we're fucking in our own beds. No crossover or anything, just doing our own thing but it's hot because he and his girl can watch if they want.

—19/Male/Straight

Netflix

I'm married and our sex life is good, but I am so into the idea of swapping partners with an attractive couple. In my fantasy, it'd be in the same house and while having sex with someone's beautiful wife, I'd hear my wife getting it good in another room, and eventually we'd all be so turned on hearing each other that we'd come together in the living room and have a foursome instead.

—29/Male/Straight

I have always fantasized about going to a bar with my boyfriend and bringing home another girl that we both find attractive. I'd get her off while my boyfriend watches, first using my mouth and then using a strap-on to give it to her rough. Afterward, I'd return to a submissive role with my boyfriend, where he ties me to the bed and uses toys on me. Then we'd have really rough sex while he fingers and bites me.

—22/Female/Bisexual

STARZ

I'd definitely have a threesome with Zayn Malik and Liam Payne. Shit, I've never even seen a dick in real life before, but you bet I'd suck them both off at the same time. I'd be all about double penetration, and why not add the rest of the boys while we're at it? One Direction can basically own me and use me as they please.

—18/Female/Straight

I've always wanted to have five girls licking and sucking. One for each boob, one on my vagina, one for my anus and one that would be kissing my mouth the entire time.

—21/Female/Gay

TNT

Three to seven men, one to five women, all focused on me all the time. I am the center of all desire in the room and they are impatient. Things get just a touch rough, some dirty domination talk, light spanking/slapping/choking, but I am also treated like a queen, with fresh glasses of water, massaging every part of my body, giving me breaks with light kisses and by circling around me with giant fans.

—34/Female/Bisexual

I want to be shared. I imagine myself in a bed with two hot males, both with a hungry look for me. One of them will be my partner and the other person could be a friend, or maybe a stranger, to make it more fun. My partner will offer me to the other male; he will open my legs while my partner holds me and he fucks me. My partner telling me how much he enjoys me being fucked by another man.

—21/Female/Heterosexual

HBO

Just a giant fuck-train with Zac Efron, Channing Tatum, Josh Hutcherson, Jon Hamm, H. Jon Benjamin, and Jake Gyllenhaal.

—22/Male/Gay

I am very submissive and into bondage. I'd like to be with multiple partners, male and female. They would tie me up in a position where all my holes are exposed and then do whatever they want to me. I want to be fucked by them, have toys used on me — a variety of things, really. Preferably I would be on birth control and we all would have been previously checked for sexually transmitted infections, so we wouldn't have to worry about condoms. I would also like to have nipple clamps and be edged and denied to come until the very end of the session.

—18/Girl/Pansexual

Wild Bunch

My partner would pick me up for a romantic dinner. After dinner, he would blindfold me and drive me to a secret location. He would guide me into a room where he has invited other men to join us. Remaining blindfolded, my partner would strip me and instruct me about what is going to take place. He would begin with foreplay, and then the other men, who I will never see, join. Each man will have his way with me that evening while I am under the protection of my trusted partner. After they have left, my partner will run a bath for me and provide aftercare to help me come down from the experience.

—39/Female/Straight

I have never been attracted to a man in real life, but I have a fantasy where a group of men gangbang me, semi–against my will, and rough. I don't picture their faces, just their bodies and hands and cocks. Sometimes, they taunt me and talk about me using female pronouns, or make me wear women's clothes. They come in me and on me. This fantasy arouses me very much, even though I obviously would never want to realize it. I once told my girlfriend a very mild version of it; she wasn't turned off by it but she wasn't interested either, so I dropped it.

—36/Male/Straight

HBO

I'm at a bar and all the men there seduce me and start fucking me with beer bottles.

—22/Female/Straight

Being in a threesome relationship with two guys, and being fucked hard as they tell me how they're going to fill me up and impregnate me — how they're going to make my body swell to accommodate their seed. And later, being heavily pregnant and sexually worshiped like a fertility goddess.

—21/Female/Bisexual

Massidor Films

Forced gang bang by three lesbians with strap-ons while they verbally abuse me using my mouth and pussy. When I refuse to say "I like it" and I come without permission, they take my ass and use all my holes.

—29/Female/Lesbian

To become an oral sex slave for a straight couple. Forced to suck his cock and balls, and swallow his cum while she watches. Then, I'd have her sit on my face and rub herself on my mouth and tongue until she can't come anymore. Then I'd be underneath her as he fucks her from behind. After he comes inside her, I'd lick him completely clean, and then eat his cum out of her and clean her up.

—50/Male/Closet bi

Showtime

Having an orgy with older men, like 60s to 80s. I imagine them to be misogynistic white men who treat me like dirt. I hate people like this in real life, but I love feeling submissive.

—20/Female/Mostly heterosexual

I’m in a crowded ballroom tied down on the center of the stage, and all the men and women do what they want to me, or just watch me. Afterward, I’m taken to a kennel with a bunch of other women, and men take us one by one to their home. You can imagine how the rest goes.

—18/Woman/Bisexual

This Gay Mormon Man Who Got Famous For Marrying A Straight Woman Is Getting Divorced

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The couple is now apologizing to the LGBT community for how the “publicity of our supposedly successful marriage” has been “used to bully others.”

Josh Weed, who made headlines in 2012 for coming out as a gay Mormon man in a straight marriage, announced Thursday that he and his wife, Lolly, are getting divorced.

Instagram: @the_weed

The Seattle-based couple, who have been married for 10 years and have four daughters, first opened up about their relationship in a now-deleted blog post. It quickly became a major national story, with coverage by ABC News, Gawker, and many more sites.

At the time, Josh Weed claimed the two had a happy marriage and an "extremely healthy and robust sex life," despite both knowing he has been "same-sex attracted" for the entirety of their relationship.

The couple's 2012 story angered many people in the LGBT community due to what many saw as internalized homophobia and an agenda to push gay Mormons further into the closet. Some people accused Josh, who works as a marriage and family counselor, of practicing conversion therapy, although he denied this.

The couple did not immediately respond to request for comment from BuzzFeed News on Saturday.

Was it possible that my sexual orientation was beautiful? That it was beautiful in the same way blue eyes can be beautiful? In the same way the Grand Canyon is majestic and lovely, attracting admirers from around the world? Could it be that my sexual orientation wasn’t a mistake? That it was part of the diversity and variety that brings nuance to our planet and to humanity? And that God meant it to be that way?

We had both promised to be together, to be a family. We are both true to our word, and we both adored in many ways the life we’d created together. We assumed God would never lead us to feel otherwise.

But we were suddenly very, very interested in making sure that other LGBT people felt the beauty of their sexual orientation just like we had come to know the beauty of mine. And we were suddenly able to see more clearly the pain that my sexual orientation brought to our marriage.

It hurt us both very deeply, and we spent many long nights holding one another and weeping as we thought of the decades to come for us, neither of us experiencing real romantic love.

The couple emphatically apologized for the 2012 blog post, saying they now realize it "stemmed from internalized homophobia."

Instagram: @the_weed

We’re sorry to any gay Mormon who even had a moment’s pause as they tried to make the breathtakingly difficult decision that I am now making—to love myself fully for exactly what God made me—because of our post. We’re sorry for any degree that our existence, and the publicity of our supposedly successful marriage made you feel “less than” as you made your own terribly difficult choices.

It wasn’t long after our post that we began to get messages from the LGBTQIA community, letting us know that their loved ones were using our blog post to pressure them to get married to a person of the opposite gender—sometimes even disowning them, saying things like, “if these two can do it, so can you.” Our hearts broke as we learned of the ways our story was used a battering ram by fearful, uninformed parents and loved ones, desperate to get their children to act in the ways they thought were best.

One person wrote—and I’ll never get the horror of this out of my head for the rest of my life—saying that he went to see his family for Thanksgiving during his second year of college, where he was an out gay man who openly had a boyfriend. When he got home, his father pulled up our story on the computer and then physically assaulted him, beating him as he had often done during his childhood, saying “if this guy could avoid being a faggot, so could you!”

In one part of the blog post, Lolly spoke about the pain of knowing her husband was not attracted to her.

Instagram: @the_weed

We were best friends, but he never desired me, he never adored me, he never longed for me. People who read our previous post might be confused because we mention having a robust sex life. That was true. We put forth a lot of effort and were “mechanically” good at sex—and it did help us to feel intimate, and for a time that closeness did help us to feel content in our sex life—but I don’t remember him ever looking at me with passion in his eyes.

Josh has never looked at me with romantic love in his eyes. He has never touched me with the sensitive touch of a lover. Whenever he held me in his arms, it was with a love that was similar to the love of a brother to a sister.

No matter how much I knew “why” he couldn’t respond to me in the ways a lover responds to a partner, it wears a person down, as if you’re not “good enough” to be loved “in that way.” And what I didn’t realize is that as human beings, we actually need to feel loved in that way with our partners.

This deficit started to mess with my self-esteem. I almost felt if only I could be thinner, prettier, sexier, maybe it would be enough to catch Josh’s eye, to help him want me in the way we need to be wanted by our attachment partners. In reality, Josh was GAY and it had nothing to do with me.

Lolly said she told their daughters about the reason for the divorce with a reference to the children's book Stellaluna, in which a baby bat tries very hard to fit in with a family of birds — until she's reunited with her long-lost Mother Bat and "finally accepted her identity as a bat."

Instagram: @the_weed

Josh was a bat trying to be a good bird. I knew that he didn’t want to eat bugs and that he wanted to hang upside down, but everyone around him told him it was wrong. He was gay, trying to live a straight life. That is the essence of internalized homophobia—trying to be something you’re not because you think it’s “bad” or “wrong.”

I explained that he needed to love himself and be a bat. We told them we would always be a family and that Mom and Dad would always love each other and that we wanted to still live in the same house but that we might find other people.

Despite their separation, Josh said he and Lolly are planning to buy a homestead together — a property large enough to keep their family together, while allowing the two of them to "just add future partners to it when the time comes."

Instagram: @the_weed

We can continue to be the family we have always been, and we can add to that family. This is a concept I learned from my step-mom, Laura. When she married my dad, she told me that her vision was not one of two separate family groups awkwardly interfacing from time to time, but instead a family unit where everybody in her clan and everybody in our clan felt loved, included, accepted and embraced, fully and completely.

And that is how we will treat our family. It is a beautiful vision. Nobody rejected. All invited to the table. All members loved unconditionally, no matter what.


My Inheritance Was My Father’s Last Lesson To Me And I Am Still Learning It

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Jon Han for BuzzFeed News

In 2000, I became, somewhat by accident, the director of All Souls Unitarian Church’s Monday Night Hospitality program for the homeless, on the Upper East Side of Manhattan. The former director had a medical emergency and had to leave her responsibilities immediately, and so the next week when I went in for my volunteer shift, I was asked if I would consider running the program, at least until someone else could be found. I would be acting director for three years.

On my first day, I went to Western Beef, a low-cost butcher shop and grocery store where the program did its shopping, the week’s dinner budget in an envelope of cash. And even though I had previously gone along with the director, as her assistant, I was nervous that first day on my own. The program fed 100 guests on a first-come, first-served basis — more, if more showed up. Some diners even took leftovers back to their shelters for those who couldn’t leave. This was a big responsibility. I planned the meal, bought the food under budget, and returned to the church, and I did the job for three years. Gradually the program expanded, especially after 9/11. I was proud of the work we did.

The calm with which I did this every week was not visible in the rest of my life. In the apartment I returned to after those volunteer shifts, my closet stacked full with boxes of files and receipts going back 15 years. Many were unpaid bills, missed payments, or collection notices. Letters from the IRS. A personal organizer I had hired a few years before had said, looking them over, “Oh, wow, you don’t need these,” then she laughed and told me to throw all the papers away. But I could not. When I eventually moved out in 2004, I moved with those boxes.

In some way I wasn’t quite aware of, I had imagined the problem was receipts. But I did not feel that pain when I shopped for the church’s program and put the receipts in an envelope before turning them over to the office. The more I kept a steady hand on the program, the more I was aware I was in the presence of a revelation about myself. The ordinary transactions contrasted with the pain I felt, almost supernatural, every time the money was mine.

The problem was there in every sale. Whenever the question came — “Would you like a receipt?” — I never wanted it. But I took it, knowing I should, and would put it quickly in my wallet, until the wallet bulged like a smuggler’s sack.

I had no system for the next steps. The receipts stayed in there, usually too long, sometimes fading to meaninglessness. Or I emptied the wallet into the pocket of a backpack, or I stuffed them into an envelope, always with the promise of getting to them later. Then I put them in the boxes. There they fluttered around like some awful confetti, saved for a celebration that never came.

I knew they represented, in part, money that could come back to me, but for me they mostly represented money lost. Pain is information, as I would say to my yoga students at the time, and my writing students also. Pain has a story to tell you. But you have to listen to it. As is often the case, I was teaching what I also needed to learn.

The pain these receipts represented was not particularly mysterious to me then. I had just never examined it. I hadn’t even felt I could. I simply thought everyone had these difficulties. But this was a lie I told myself, a way of accommodating the pain instead of facing it.

In a file I still have from 1989, there is a letter from my sister, when she was 15 and I was 22, asking me to send my tax form to my mother so she could give it to our accountant. This is in a folder with the tax return from that year, completed after I sent the form. I can see the earnings from the sandwich shop I worked at in Middletown, Connecticut, while a student at Wesleyan; earnings from my first months at A Different Light, the bookstore where I worked in San Francisco just after college graduation; and the taxes paid on the stock certificates I sold from my trust in order to pay off my tuition bill at Wesleyan.

I have tried to change my own relationship to money and pain, which are forever twinned in my mind.

Asking my younger sister to write and ask me to send the tax form was my mother’s way of communicating, off-kilter and indirect. To this day, she will ask one of us to communicate something to the other, though she could just as easily call directly. I have tried my whole life to change this in her, as I have tried to change my own relationship to money and pain, which are forever twinned in my mind. The anxiety about receipts was anxiety about money, but also much more than that.

Underneath that anxiety was the belief that there would be an accounting demanded of me, one that I would fail. After reading Joan Didion’s The Year of Magical Thinking, where she describes keeping her late husband’s things as if he might return for them, I understood it a little better: I imagined someday having to tell my father about everything I had bought with the trust fund I received after his death. And having to explain how I’d failed him.

The author's father.

Courtesy Alexander Chee

My father was so young when he died, 43 years old, that he hadn’t made a will, due in part to the faith the young have that a will can be written and notarized at some later date, because surely death is far away. As a result, the state of Maine divided my father’s estate four ways, among my mother, myself, my brother, and my sister — my mother receiving, by law, the majority. I was given a trust that would be vested to me when I reached the age of 18.

Just three years earlier, at the time of his death, three years after the car accident had rendered him paralyzed on the left side of his body, my mother had confessed to me she was repaying his medical bills, which totaled more than $1 million, on top of what was covered by their medical insurance. He’d had repeated surgeries over those three years, home care, physical therapy, and experimental treatments. My father’s family was wealthy enough to have helped us out, and for one year they had, but they’d held the cruelly contradictory belief that my mother should both be able to pay the bills and also not have to work — to stay home and take care of my father. I can only think they believed the money would magically appear out of my father’s business without anyone working there, a mistaken notion born of a mix of sexism and parochial privilege so extreme as to be laughable, if the price of it were not so steep.

This was unexpected and difficult. My mother did the only thing she could do. She put in 15-hour days, leaving me to cook for my siblings, to drive them to sports practices, to grocery shop, and even to shop for her clothes while she did this. She was soon able to pay off my father’s medical debts, and did.

And now we had arrived here. My 18th birthday.

My mother told me the trust was, first and foremost, for my education and anything related to it, and I should spend it wisely. “Your education is the one thing you can buy that no one can take away from you,” she said portentously. Also: “I wouldn’t have given you control over that much money at age 18.” But the state had decided it, and she had to allow it. At the time, I rankled at the thought that I wasn't mature enough, but it was also true that for me to be presented with money enough for college after years of worry over mortgages and my father’s medical bills felt like an unearned luxury at best. As a result, the first thing I did with my money was part rebellion, part panegyric. My father had loved fast cars and expensive ones, both, and so I bought what I thought he’d want for me, a black Alfa Romeo — a Milano, the first year they were available in the United States — a sort of cubist Jetta with a sports car’s heart.

I drove off to college with my younger brother literally along for the ride — he wanted to see how fast it could go. He was the king of auto shop in high school, and had saved up the regular gifts of money given to him by our relatives over the years until he could buy the cars he rehabbed in auto shop, and then he sold them for more money. He has always had a gift for making more out of what he was given. He had taught me how to drive stick shift on his red 1974 Corvette 454, a car so beautiful the police would pull him over just so they could look at it.

My brother had been reading the Alfa Romeo manual, and after he looked at the speedometer, he said, “It says this car tops out at 130 mph,” and he gave me a little smirk.

I nodded. The highway ahead of us was oddly empty, and so I floored it. For a brief moment on the Massachusetts Turnpike, we flew, pushing the speed as far as I dared, a 130 mph salute to our father.

The author with his Alfa Romeo.

Courtesy Alexander Chee

I drove the car for the nine years the trust lasted, except for when I lived in California. Then my mother, despite her objections to its purchase, drove the Alfa Romeo and enjoyed it, in what amounted to a truce on the subject. I used the remainder of the trust not just for my tuition costs, but to turn myself from a student into a writer. I paid for my college and left with no debts — an extraordinary gift. This gave me the freedom to intern at a magazine that published my first cover story, and to take a job at an LGBT bookstore that let me read during my shift, meet authors, and even help with the planning of the first LGBT writers conference, OutWrite. And while I went to graduate school on a fellowship with a tuition waiver, I had no health insurance, and so the trust money paid for my regular dental work and a trip to the hospital back in New York, where I lived before and after grad school. I know this freedom looks ordinary to many, but I also know all too well that it is rare when the children of Korean immigrants are given this kind of latitude from their family to pursue the arts, much less the financial support to do so, especially when they are openly queer.

I had believed I would feel lighter without money, free of the awful feeling of having it but not having my father.

Besides the car, what I thought of as my excesses at the time now seem more or less pragmatic to me. My clothes were usually secondhand, my books also, or purchased with an employee discount. I drove a used Yamaha 550 motorcycle when I lived in San Francisco, where there were four cars for every parking space. I traveled to Europe in the fall of 1990, to Berlin, London, and Edinburgh, to investigate whether I could live somewhere other than the United States. And while I ended up staying in the US after all, the trip was its own education. My greatest indulgences were probably during a long-distance relationship while in Iowa: phone calls that regularly cost as much as the plane tickets for said relationship, not otherwise affordable on a graduate student’s budget.

For those nine years, I felt both invulnerable and doomed, under the protection of a spell that I knew to be dwindling in power. The Alfa broke down finally while I was driving from Iowa to New York City. I left it where it stopped, in Poughkeepsie, on the street in front of a friend’s apartment. That summer, newly released from graduate school, with no job and no prospects, I had no money to repair it or move it. Eventually the car, covered in unpaid tickets, was impounded and sold by the state to cover the towing and storage costs. My money gone, I surrendered to life without either the trust’s protections or the car. I know it was all stupid, and I was ashamed, and felt powerless in the face of the problem and ashamed of that powerlessness. But I was also tired of being mistaken for someone who was rich when I felt I had less than nothing.

I had believed I would feel lighter without the money, free of the awful feeling of having it but not having my father. And yet spending the last of it was not just like failing my father — it was like losing him again.

The author with his father in 1968.

Courtesy Alexander Chee

We learn our first lessons about money as children, and these shape much of our ideas about it. We learn these lessons from our parents, but from others also. But I feel as if I have always been taught about money by everyone — every day of my life a lesson, whether I want it or not, in what money is and does.

The lessons my life had provided, up until my epiphany over my relationship to my receipts at All Souls’, were that money is conflict, strife, grief, blood. Money is necessary. Money divides families — even the promise of it, hinted at. And that nothing destroys a family like an inheritance.

My mother likes to tell a story of me at age 2, in 1968. We were living in my grandparents’ home in Seoul, and three of my father’s siblings were still of school age — two uncles and an aunt. The three-story house was surrounded by a high wall, covered with nails, barbed wire, and broken glass, that I would later come to expect on houses like this all over the world — the homes of the rich, living amid great poverty. The house was near the Blue House in Seoul, the presidential residence; the Secret Garden, formerly a palace where the king kept his concubines, was visible from our third floor. For years it was one of the most privileged of neighborhoods, exempt from development.

The reason we were living in Seoul is that my parents could not afford me on their own. When I was born, my father was a graduate student in oceanography at the University of Rhode Island. A favorite photo I have of him from that time shows him posing with his URI classmates, holding a whale rib. My mother taught home economics at the local public school, and since women were not allowed to teach while pregnant, married or not, she was dismissed when she started to show, and the economic crisis that I was began. My birth was unplanned; my parents were not financially ready to start a family. In the first photos of my father holding me in his arms, he looks tired and dazed, and the expression on his face is one of amazement, love, and frustration. He seems ready to agree to his father’s offer of a job back in Korea, which came soon enough.

The lessons my life had provided, up until the epiphany over my relationship to my receipts at All Souls', were that money is conflict, strife, grief, blood.

Every morning, my father’s school-age siblings lined up to ask for their lunch money, and on this particular day, after the youngest had taken her turn, I went and asked for some as well. My grandfather was so charmed — he was worried I would never speak Korean — that he came downstairs, laughing, and gave me some money too. I was then allowed to spend it across the street at the small market, to get a treat.

I did the same the next day, and the next. It made him laugh, and soon he gave me money daily for treats.

My father’s siblings still resent me, I think, because of it. I became just another sibling to compete with for attention, approval, and money.

I was born slightly premature, and so at age 2, because I was underweight, I was allowed to use my daily allowance to buy a chocolate bar. This is the context for the next story my mother likes to tell about me from this time: She decided one day to punish me for something, and told me I could not go to the snack stand across the street. Later, she found me eating my chocolate bar. Confounded, even alarmed, she asked me how I had done this.

The maid explained that I had sent her with the money I’d been given.

My mother tells this story as an example of my shrewdness in the face of an obstacle, also my devilishness. And I do like to think the story is about my improvisational mind. But it also shows that even at a young age, I understood how power worked. I was adapting to my sense of the class I belonged to, as all children do. That this class would change, that I would become a class traitor — as all writers are, no matter their social class — was all ahead of me. Perhaps this was preparation for that change: reading context clues for signs of how to get around the stated rules — how to find the real rules, in other words, that no one ever tells you but that everyone obeys.

However it happened, my relationship to money began before I can remember it, and it seems it started that way.

The author with his parents.

Courtesy Alexander Chee

Who Gets A Happily Ever After In 2018?

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The alpha hero is a stalwart archetype of romance novels: aggressively masculine, in the traditional sense, powerful, stoic, and usually rich. In contemporary romance he’s often a billionaire; in historical, often a duke. He is Darcy and Rochester and, yes, Christian Grey. And he is almost always the starting point of a redemption arc — where a façade cracks, a cold heart melts, and a man who is an island unto himself discovers that, well, love trumps hate.

In November 2016, Sarah MacLean was about a month away from turning in the manuscript for her newest novel, a Regency-era romance featuring one such alpha hero (a duke, of course). She had about a hundred pages left to write and a clear vision of the ending — the hero would realize he loved and needed his estranged wife, that his life was only meaningful with her in it, that her happiness and success meant more to him than anything else. He would become, in MacLean’s words, an alpha feminist.

Romance depends on the happy ending, after all, and an alpha can’t have a happy ending without change. But on Nov. 9, 2016, MacLean found she suddenly had much less patience for her hero’s personal evolution. She couldn’t even stand to think about him. As she described in an essay for the Washington Post, “This dude wasn’t just aggressively masculine. He was toxic. Indeed, I suspected he would have voted for Donald Trump. And I wanted nothing to do with him.”

Sarah MacLean

BuzzFeed News; Courtesy MacLean

For so many people, the 2016 election was a broken promise. As the night progressed — the quivering needle of the New York Times election-o-meter slipping farther and farther, impossibly, to red — the happy ending that had seemed to MacLean like the only possible conclusion (He can’t actually win, can he?) was snatched away. And that shifted things for her novel’s hero, she wrote. “Suddenly, there was no promise that he would change.”

MacLean overhauled her novel, making the Duke of Haven an alpha feminist from the start. When The Day of the Duchess was published in June of 2017, it was with a hero who, from page one, is devoted to his estranged wife, who uses his power and resources for the single goal of earning her love and forgiveness — not extracting them from her, but becoming worthy of them so that she freely gives. And of course, at the core of the story is a woman, loved and valued and whole. She gets her happy ending; that’s the promise of a romance novel.

MacLean’s choice might look like a sign that romance has become a hotbed of #resistance overnight. And it’s true that many in the industry — from authors like MacLean to the owners of the Ripped Bodice, a romance bookstore in Los Angeles — are more visibly engaging with hot-button political and social issues within the genre than a year or two ago. But rather than a sea change, this is more a time of heightened awareness and reckoning for a genre that has always been deeply attuned to the social and cultural politics of its time. And many authors have spent years, even decades, writing books that push mainstream commercial boundaries simply by virtue of the authors’ (and characters’) identities.

You might think romance novels are at best fluff and at worst horribly regressive. Hillary Clinton even characterized them in an end-of-2017 interview as full of “women being grabbed and thrown on a horse and ridden off into the distance.” That’s not far off from where things started in the ’70s, but the genre — which is by and large written by women, for women — has evolved along with women’s social and political concerns, providing a space for women to explore and respond to the shifts happening around them and in their lives. In the ’80s, office-set romances were a site for playing out power struggles that many women were, for the first time, experiencing. Post-9/11 paranormal romance offered heroes who could literally save the world. And after the 2008 financial crisis came the billionaires; Fifty Shades of Grey was not an ahistorical fluke.

And now romance is responding to Trump. In some ways, this is just another case of romance responding to the social climate, in line with decades of evolution and change. But just as Trump’s presidency feels less like another political oscillation and more like a potential breaking point, romance’s response feels different, too. Romance is political because all art is political, but also specifically because of what it is and who makes it. As the genre grapples with its place in the resistance, it confronts the structures of privilege and exclusion that have shaped the genre for decades. It is a reflection of America, after all, in more ways than one.

Maya Rodale

BuzzFeed News; Courtesy Rodale

Maya Rodale, who in addition to writing historical romance is the author of the nonfiction book Dangerous Books for Girls: The Bad Reputation of Romance Novels, Explained, told me, “Romance has been hugely revolutionary and feminist from the beginning, because it empowers women by giving them the space to tell their own stories, to talk to one another.” Romance, more than any other genre of fiction, is a place where women’s stories are centered, in books that are a direct conduit of communication from woman to woman. Not every romance novel is feminist; plenty of women authors write happily within patriarchal structures. But that doesn’t erase the fact that the genre empowers women as authors, as readers, and as characters.

The broadest shape of a romance plot is generically defined. In fact, there’s an actual definition from the Romance Writers of America: a novel with “a central love story and an emotionally satisfying and optimistic ending.” But focusing on a love story does not have to be an act of submission to the patriarchy — and just because you know roughly where a story will end, doesn’t mean there won’t be a journey getting there.

Romance, more than any other genre of fiction, is a place where women’s stories are centered.

The heart of that journey, of course, is change. The way that usually plays out in a romance plot involving two straight, cisgender people (which, while hardly the only kind of love depicted in the genre, still dominates) is this: The heroine comes into her own, and the hero becomes worthy of her love. Perhaps she strengthens and he softens; maybe one or both of them reconcile with a traumatic past. But the heroine’s arc is central. More than one author told me that they write books so that, in their minds, the heroine at the end of the story would be fine with or without her man.

In so much of the literary canon, what happens to women who pursue lives as more than mothers and wives, who seek autonomy or even just full romantic partnerships? They walk into the ocean, jump in front of a train, get branded, shunned, or murdered. Or they exist simply as signposts in a male protagonist’s story, which is another kind of death.

“I think part of why we come to romance, especially as young women, is because it centers us — at a time when the rest of the world doesn’t,” MacLean told me. “The male gaze is everywhere, but romance is the female gaze.”

When MacLean went to college — at Smith — her dorm had a romance collection, books passed down from class to class. She told me about the marginalia in the paperbacks: “It was always like, ‘smash the patriarchy’ and ‘look at the way that this is subverting the hegemonic structure.’ Even then we saw the power in the books.” In those books, MacLean said, “we saw women triumph, and we saw women have pleasure, and we saw women have parity. And it was all done between the covers of these ridiculous-looking books that men discounted instantly.”

Romance is political in the broader meaning of the word, in that politics isn’t simply a tally of votes, but an accounting of power. It is about how we care for one another, how far our circles of empathy extend, and whose voices are privileged or heard. It is about who is seen as a full human being, worthy of respect and narrative interiority. And as long as women’s bodies are legislated and circumscribed and shamed, romance will also be political because it is, often, also about sex.

Romance is political in the broader meaning of the word, in that politics isn’t simply a tally of votes, but an accounting of power.

Not every romance novel includes sex scenes, but lots of them do. And this is part of the politics too: women caring about sex, on the page and in the reader’s chair; heroines having amazing sex with devoted partners who care, above all, about their pleasure; readers embracing the truth that women are sexual creatures, more than objects of desire or baby factories. Romance reminds us that women want, and it celebrates this fact. How sad that that’s subversive, but it is. Also subversive: the idea of women reading books that are escapist delights instead of “bettering” themselves via the male-adjudicated canon or, honestly, doing housework or tending to their kids. Romance novels are political because of, not despite, the fact that they are usually really fucking fun.

That fun, of course, has also been seen as at odds with a political project. And with romance’s incredibly broad readership and commercial orientation, authors have long been told that they should keep politics — meaning any divisive values — out of their books. You don’t want to offend anyone, you don’t want to distract anyone, and you don’t want to bring anyone down. No politics, and don’t kill the dog.

When MacLean started writing romance, she said, “it was politics is verboten. Because this is the biggest genre, you’re gonna have readers who come from all walks.” But that has become less and less the case — or less and less MacLean’s concern. “Look, if you don’t agree with me politically, and you read my books and you like them, great,” she said. “But it’s hard to believe that you wouldn’t know my politics from my books.”

“The choices each author makes in their work, or chooses not to make, is in some way a reflection of their politics,” author Alyssa Cole, who writes historical romances that often feature black and LGBT characters, told me. “This is not a good/bad thing, but romance doesn’t exist in a vacuum.”

Tracey Livesay

BuzzFeed News; Courtesy Livesay

One thing that’s become clear in the past year is that writing a happy ending for women — or for anyone — in American culture will require more than empowering stories. It will require reckoning with the structures of privilege that undergird everything, even these empowering, feminist books, and the industry behind them.

Some writers have been fighting for decades to get inclusive stories in front of a broad audience, on the lists of major publishers. The genre has always been and continues to be overwhelmingly white. Straight, cis, beautiful, upper-class couples are at the center of most romance novels, especially those from major publishers. (The Ripped Bodice put out a damning report on this topic.) With the advent of ebooks, self-publishing became a force in romance perhaps more than any other genre — romance readers are voracious and willing to take risks. And this has allowed writers who can’t find a home in traditional publishing to still reach readers, but without the institutional support and cachet that traditional publishing provides. It’s hardly a sufficient solution.

Tracey Livesay, who writes interracial romances that mirror her own marriage to a white man, said, “For so many years, the normative was a white, hetero story. And we love our stories. We eat it up and we can internalize that. And then that’s the norm, or that’s how things should be.” White authors who write white, straight, cis couples and say, I’m keeping my politics out of my work, hardly are.

White authors who write white, straight, cis couples and say, I’m keeping my politics out of my work, hardly are.

If centering women in narrative is a political act, then centering marginalized women is doubly so. Granting women of color fulfilling love stories with happy endings; writing queer and trans characters who are happy with themselves, out, and loved; depicting interracial romance where race isn’t the main issue — those choices in fiction are revolutionary to the women who write it and read it. Writing, centering, and promoting stories about white, straight, cis, beautiful couples falling in love may have seemed like the neutral default to some, but it never was. And in the world of romance, writers from marginalized backgrounds have never been able to tell themselves their work is apolitical.

When I asked Indian-American author Alisha Rai if romance is political, she said, “If you'd asked me five years ago, I would've said no, that doesn't make any sense. But now I think we're at a point where politics isn’t just free trade and taxes — it's come to a point where a lot of people's existence has become political. I know mine has sometimes.”

Beverly Jenkins, whose historical romances with black heroes and heroines broke ground in the mid-’90s, said, “Writing, for me, is truth. I couldn’t write a novel set in the 17th-, 18th-, or 19th-century America and pretend that reality played no part in [my characters’] lives. My work is political in the sense that any story featuring African-Americans in a historical setting has to be played out against the challenges of the times: Jim Crow, segregation, lynchings, Dred Scott.”

Alisha Rai

BuzzFeed News; Courtesy Rai

Cole writes romances set throughout US history, with main characters who are civil rights activists, suffragettes, and spies trying to take down the Confederacy. She said, “My work is explicitly political. I write love stories that reflect the diverse world I grew up in, but that wasn’t reflected in the books on the shelf at the bookstore; this shouldn’t be political, but sadly it is.”

The same is true in queer romance. Vanessa North told me, “I try and just explore the aspects of what it means to be bisexual or gay or lesbian or trans in small-town America, like where I grew up and where I live now. You’re living in a time when somebody [going] to the bathroom is a political act ... My antidote to the political side of that is to show that there are trans people who really are happy and living fulfilled lives.” Queer romance is a vanguard of progress, but it’s hardly a unified genre — as one reader told me, it is “frontier and faultline.” Queer romance by queer authors is a powerful emerging force, but there is also queer romance — usually male/male — written by and for straight women, which is often an entirely separate subgenre.

Rai said she doesn’t really worry about turning readers off with her politics. It’s not that she’s chosen not to care, but rather that she never sees herself as having had a choice. She told me, “I can’t pretend to be something I’m not. And when politics includes whether people who look like me or have similar names to mine can stay in the country or deserve to have a happy ending or belong here … I think I have a level of safety in talking about politics. If [readers] don’t like what I say on Twitter, they probably won’t like my books — they probably won’t even pick up my books.”

Rai writes contemporary romance that falls into the unofficial subgenre of “angsty.” As she told Jezebel, “People think of romance as this happy, wonderful place, but I think of it as, you figure out how to get to the happy place.” Rai wrote her latest book, Wrong to Need You, after the election. She told me, “When I pitched it, it didn’t really occur to me that the heroine is Muslim and the hero is the grandson of Japanese internment camp survivors. I was writing the book during the whole Muslim ban thing. [It was] a poor choice if I wanted to escape into my own fiction! It’s not primarily a treatise on [those issues], it’s a sexy romance, but those are their identities and I can’t really get around that. It’s a path they both have to deal with and share.” The way her writing has changed most since the election is in her empathy and care for the reader’s experience. She said, “The world is hurting enough, and I want to make it not hurt for the few hours that somebody is reading my book.”

A Fan Tipped Aja From "Drag Race" With A Burger And Now That's The Only Payment I'll Accept

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What a McLegend.

If you're a RuPaul's Drag Race fan, then forgive this introduction. If you're not, say hi to the queen of this story, Aja.

instagram.com

Just for some extra background info, Aja was a contestant on season nine of the show, and is currently competing in All Stars 3.

instagram.com

Although there's only been one episode of All Stars so far, Aja is a firm favourite after she basically tried to give us all a heart attack when she did this death drop. The irony of the name is not lost.

Although there's only been one episode of All Stars so far, Aja is a firm favourite after she basically tried to give us all a heart attack when she did this death drop. The irony of the name is not lost.

VH1

Let's run that back, shall we? So you can see Aja coming down the line, collecting her coins, and you can also see the McChicken waving about trying to get her attention.

Let's run that back, shall we? So you can see Aja coming down the line, collecting her coins, and you can also see the McChicken waving about trying to get her attention.

Twitter: @traddiegatson

Aja's reaction to being gifted a burger is very relatable tbh, I would feel the exact same way.

Aja's reaction to being gifted a burger is very relatable tbh, I would feel the exact same way.

Twitter: @traddiegatson

And when Aja tweeted about it, people thought it was hilarious.

And when Aja tweeted about it, people thought it was hilarious.

Twitter: @ajaqueen

Coincidentally after seeing that you can get tipped with burgers, I suddenly want to be a drag queen too, so I'll see you in a city near you (and McDonald's) soon.

Coincidentally after seeing that you can get tipped with burgers, I suddenly want to be a drag queen too, so I'll see you in a city near you (and McDonald's) soon.

VH1

Dumbledore Will Not Be "Explicitly" Gay In "Fantastic Beasts" Sequel And Fans Are Explicitly Angry

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Not MY Dumbledore!

Gay wizard, Albus Percival Wulfric Brian Dumbledore, will not be "explicitly" gay in the upcoming sequel to 2016's Fantastic Beasts and Where to Find Them, according to director David Yates. Hmmmmm!!!!!!!

Gay wizard, Albus Percival Wulfric Brian Dumbledore, will not be "explicitly" gay in the upcoming sequel to 2016's Fantastic Beasts and Where to Find Them, according to director David Yates. Hmmmmm!!!!!!!

lipstickalley.com

Not explicitly. But I think all the fans are aware of that. He had a very intense relationship with Grindelwald when they were young men. They fell in love with each other’s ideas, and ideology and each other.

So you're explicitly telling me Dumbledore will not be "explicitly" gay in the movie explicitly covering the time period where he explicitly falls in love WITH ANOTHER MAN???? THAT'S EXPLICITLY GAY AS FUCK BUT OKKKKKKKKKK!!!!

So you're explicitly telling me Dumbledore will not be "explicitly" gay in the movie explicitly covering the time period where he explicitly falls in love WITH ANOTHER MAN???? THAT'S EXPLICITLY GAY AS FUCK BUT OKKKKKKKKKK!!!!

MTV

Now, will you please excuse me while I explicitly scream in gay.

Now, will you please excuse me while I explicitly scream in gay.

atrl.net

14 Quotes From “Skam” That You Won't Stop Thinking About

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Why did this show only last four seasons?

When Even (Henrik Holm) pointed out to Emma (Ruby Dagnall) the harm in assuming all gay people are "fun".

When Even (Henrik Holm) pointed out to Emma (Ruby Dagnall) the harm in assuming all gay people are "fun".

NRK

When Noora (Josefine Frida Pettersen) made this point to William (Thomas Hayes) about him being a dick.

When Noora (Josefine Frida Pettersen) made this point to William (Thomas Hayes) about him being a dick.

NRK

When Isak (Tarjei Sandvik Moe) told Eskild (Carl Martin Eggesbø) that he didn't want to be associated with other gay people and Eskild shut him the fuck down.

When Isak (Tarjei Sandvik Moe) told Eskild (Carl Martin Eggesbø) that he didn't want to be associated with other gay people and Eskild shut him the fuck down.

Holy hell, that was good.

NRK

When Sana (Iman Meskini) said this about tolerance.

When Sana (Iman Meskini) said this about tolerance.

NRK

When Jonas called Isak out for using "gay" as a slur.

When Jonas called Isak out for using "gay" as a slur.

NRK

When Noora pointed out to Vilde (Ulrikke Falch) the harm in slut-shaming.

When Noora pointed out to Vilde (Ulrikke Falch) the harm in slut-shaming.

NRK

When Sana pointed out the need to acknowledge other people’s perspectives and that nobody is always right.

When Sana pointed out the need to acknowledge other people’s perspectives and that nobody is always right.

NRK

When Magnus (David Alexander Sjøholt) argued that mental health does not define who you are as a person.

When Magnus (David Alexander Sjøholt) argued that mental health does not define who you are as a person.

NRK

When Noora said this about speaking up.

When Noora said this about speaking up.

NRK

When Eskild helpfully pointed out that you can talk about people of the same sex without people assuming that you are sexually attracted to them.

When Eskild helpfully pointed out that you can talk about people of the same sex without people assuming that you are sexually attracted to them.

NRK

When Doctor Skrulle (Astrid Elise Arefjord) made this really good point about going through things alone.

When Doctor Skrulle (Astrid Elise Arefjord) made this really good point about going through things alone.

NRK

When Eskild said this truth about heartbreak.

When Eskild said this truth about heartbreak.

NRK

When Isak told Even he'd come up with this coping strategy.

When Isak told Even he'd come up with this coping strategy.

NRK

And finally, this meaningful sign on Noora's wall.

And finally, this meaningful sign on Noora's wall.

"Everyone you meet is fighting a battle you know nothing about.

"Be kind. Always."

NRK / Via data.whicdn.com

(Thanks to Skamily, a little Twitter group I am in full of Skam friends, for helping me ensure that I didn't miss any of their favourite bits out).

This Marriage Equality Campaigner Couldn’t Answer The Phone For Two Weeks Due To Abuse

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Same-sex marriage campaigner Alex Greenwich dances with other Equality Campaign members outside Parliament House.

Lukas Coch / AAPIMAGE

Leading same-sex marriage campaigner and Sydney politician Alex Greenwich has revealed his office staff were unable to answer the phone for two weeks during the same-sex marriage survey, due to the sheer volume of abusive calls.

Multiple death threats, anti-LGBT messages and accusations of spreading AIDS are among the numerous pieces of correspondence sent to leading "yes" campaign group The Equality Campaign, as well as its prominent supporters like Greenwich, over the course of the controversial survey.

The unprecedented survey returned a "yes" vote of 61.6% on November 15, and led the parliament to hold a free vote on same-sex marriage for the first time, which passed in December.

While examples of violent and homophobic attacks in the community were well-documented in the media during the three-month survey process, The Equality Campaign largely stayed mum on the private messages it received.

But now, the group has published some of that correspondence as part of its submission to an ongoing parliamentary inquiry into the survey. Greenwich has also sent in an individual submission.

During the campaign, the "yes" side sent out a mass, unsolicited text to millions of Australians which generated significant controversy. It triggered a large number of abusive messages to the campaign, as well as sparking a targeted social media campaign urging people angered by the message to contact Greenwich specifically.

Supplied

Greenwich told BuzzFeed News that in the fortnight following the mass text, his staff could not answer the phone due to the number of "homophobic and hate-filled" messages, which came via phone and email.

"We left a voicemail directing people to the ABS for inquires relating to the postal survey," he said.

The calls tapered off after two weeks, but continued for more than two months.

"This had both a negative impact on the wellbeing of my staff and my constituents who were unable to call my office directly, with the matter reported to NSW Police," Greenwich wrote.

Greenwich also noted in his personal submission that he has advocated for marriage equality for more than a decade, but that it was only during the postal survey he first received threats of violence.

The Equality Campaign's submission contained numerous examples of messages it received throughout the survey via post, email, text and a website form. Many included threats of death and violence, as well as routinely including abusive language, anti-gay slurs, and containing crude or humiliating language aimed at deriding LGBT people.

“I will personally hunt you down and break your head. You fkn piece of shit faggit kunt. I voted no because you are all a bunch of fkn perverted paedophile mtherfkers. I hope you all die due to aids. Phags.”


“GOFUCK YOURSELVES YOU FUCKING POOFTA,DYKE NON HUMAN MORONS…...I FUCKING VOTED NO,NO,NO….FUCKWITS....FREE ROCKET ONE WAY TRIP TO THE MOON FOR ALL YOU QUEERS”

One letter sent in October suggested "yes" campaign paper material was infected with and capable of spreading AIDS.

“I have not left my address so you can reply because I am deeply concerned the paper you use can infect me with the new strain of AIDS virus that is presently being spread in Oxford Street,” the person wrote.

Supplied

A "yes" voter who appeared in campaign materials received messages suggesting he send his sons to gay conversion therapy.

"When your sons were very young, they needed more emotional support from
you than they apparently got. They were not born 'gay', whatever you may have heard," one person wrote, referring the man to a US-based Christian counselling organisation that advertises "sexual identity affirming therapy".

The "no" campaign group, the Coalition For Marriage, put out a video titled "Love is Love" during the campaign, featuring messages received from "yes" supporters on social media. It included a threat of violence and several instances of name-calling including "bigots" and "utter clowns".

Coalition for Marriage spokesman Lyle Shelton.

Brook Mitchell / Getty Images

Greenwich told BuzzFeed News The Equality Campaign had remained quiet about the threats it received over the course of the campaign due to police advice that publicising them may encourage others to jump on the bandwagon.

In his submission to the inquiry, Greenwich wrote: "It is my view that the LGBTIQ community would have been spared the severity of attacks they endured during the survey if the federal parliament had done its job and legislated for marriage equality.

"Older LGBTIQ people shared with me the trauma caused by reminding them of the terrible history of assault, discrimination and abuse many faced in the 70s and 80s. For younger LGBTIQ people this was the first time many had been subjected to this treatment, and many found it distressing."

NSW health organisation ACON, which specialises in HIV prevention and LGBTI health, used its submission to hit back at the claim by prime minister Malcolm Turnbull and other government MPs that the "yes" vote and large turnout vindicated the process.

"This is not true," wrote CEO Nicholas Parkhill. "The same result could have been
achieved through a free vote in Parliament, without the associated harms that the survey generated."

Parkhill wrote that older people had been "re-traumatised" as the process brought back memories of violence and abuse from their past. He also note that people felt isolated, that ACON had recorded an increase in people seeking help for anxiety and depression, and that the survey contributed to the triggers and stressors for clients struggling with drug and alcohol problems.

"Clients also expressed anger about the postal survey," he wrote. "In particular, they felt anger at the humiliation of having one’s equality at law and human rights subject to popular opinion, anger at the lies told about the LGBTI community by the 'No' vote proponents, anger at feeling powerless in the face of those lies and arguments against the 'Yes' campaign, and anger that LGBTI people have had to wait so long for equality."

Parkhill also briefly outlined some experiences reported to ACON by clients, including a child asking if they would be removed from their dads if the "no" campaign won, and a person who applied to move to a different public housing complex after being taunted with names such as "homo", "faggot" and "pedo" during the survey.

The Tangentyere Council Aboriginal Corporation put in a submission to the inquiry about barriers to access to the postal survey among Alice Springs town camps, where people cannot enrol their home addresses with the Australian Electoral Commission (AEC).

As of Thursday morning, other submissions received and published by the inquiry mostly consisted of people sending in examples of "no" campaign material that they found offensive or misleading.

Among the multiple examples of flyers and ads sent to the inquiry was the "Stop the Fags" poster seen in Melbourne, a flyer comparing seatbelts to gay relationships that went viral on Twitter, and an email from Coalition for Marriage spokesperson Sophie York.

Just one submission appeared to be from somebody who was against same-sex marriage but thought the survey should not have gone ahead.

BuzzFeed News has previously reported on an anonymous submission from a person who said they are an employee at the Australian Bureau of Statistics (ABS) and slammed the survey as "disrespectful" to the history of the organisation.

Government departments including the ABS, the AEC and the departments of human services and finance have also sent submissions.

Wednesday was the final day people could send in a submission. The inquiry is due to report on February 13.

This Is What It's Like Inside An Alcohol-Free Gay Bar

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Justine Trickett / BuzzFeed News

A drinks menu sits erect on the counter boasting of “Teetotal G ’n’ T”, “Square Root Soda”, and “Seedlip & tonic”. I do not know what any of these are but Seedlip certainly sounds like you swallowed something memorable.

“The G ’n’ T is made in Skipton!” bellows a voice nearby with the enthusiasm of someone who deems this a selling point. It belongs to Laura Willoughby, the cofounder of London’s first alcohol-free bar for LGBT people.

The “bar” is a monthly night housed in a two-storey, wood-panelled café in Bloomsbury that should probably win an award for its name: Queers Without Beers.

They trialled Queers Without Beers in east London first before finding the permanent central London spot here. Baked goods nestle in bowls. William Morris wallpaper and a whiff of veganism abound.

It is just 10 minutes after the opening, on an arctic Wednesday in January, yet dozens of people are already draped around tables on the ground floor, or gathered downstairs by a fireplace, apparently unencumbered by the prospect of an entire night out sober.

I stare at the pastries.

There is no music, and obviously no alcohol, but instead a rising din of chatter, as if conversations are lighting up by sheer determination to connect. It feels wildly, sweetly enthusiastic, like a freshers’ week event but without the certainty of regrettable sex.

Willoughby has an impressive quiff and the perky, rolled-up-sleeves demeanour of someone who would have been a godsend in a bomb shelter, and calls herself a “bit of a twat”. This pertains to her previous drinking problem.

Justine Trickett / BuzzFeed News

There is, she says, “no definition of alcoholism” – which is exactly what someone might slur during an intervention – and instead describes two categories of boozers: “dependent drinkers” and “everyone else who’s a bit of a twat”. She was one of those people, she says, and thus the nights her low- and no-alcohol organisation Club Soda runs – both here and across country – are aimed particularly at this group.

There is a huge potential market among the queer community. LGBT people drink too much – even more than the rest of the British population. Every survey of the comparative drinking habits of straight and rainbow folk brings the same news: By any measure, we have a problem.

Gay men and women are, for example, about twice as likely to binge drink at least once a week, compared with the general population; around 16% of LGBT people drink at levels suggestive of dependency (compared with just 3.8%); and, according to one study, 47% of trans people drink at harmful levels.

The statistics, however, miss the backstory: of the early isolation many LGBT people feel, growing up in a closet not of anyone’s making, but out of which everyone has to escape – or perish; of jumping from the closet into the LGBT scene, populated by others also seeking escape; and of the low self-regard that so often lingers. Disinhibit, anaesthetise. Alcohol finds us.

As Monty Moncrieff, CEO of London Friend, the LGBT health charity supporting Queers Without Beers, explains: “Often the first places we go when we’re coming out is the local gay bar, and it means that alcohol and potentially other drugs are there while we’re forming our identities – that’s where people go to associate with other people and explore who they are. Alcohol is used as a coping mechanism, to self-medicate for some of the issues we face: discrimination, worse mental health.”

But in 2018, with what some might consider to be less discrimination and with alternatives to bars in online groups and dating apps, the culture of queer boozing would, you might expect, be declining. According to Moncrieff, the evidence shows no such abatement.

Meanwhile, services specifically aimed at LGBT people with alcohol and drug problems – such as Antidote in central London – are sparse and overwhelmed by demand.

“Alcohol is used as a coping mechanism, to self-medicate for some of the issues we face”

I ask a young man called Henry, sat downstairs, why he is here. “I think it’s really important to have a space where there’s no expectation of getting drunk or where you might be more uninhibited than you want to be,” he says.

But it's about more than simply avoiding a hangover. “It’s an opportunity for people to open up a bit more in a different way, not in a sexual or disinhibited way – you’re opening up to talk about things that actually interest you, which I don’t think would happen in a noisy bar where you’re drinking.”

There is another reason for Henry’s aversion to licensed premises: He works as a doctor in the A&E department of a London hospital. He treats alcohol’s casualties every day. Drugs’, too. “Chemsex and the scene that comes with it – we see people who are critically ill; the real sticky end of the club drug scene, alcohol addiction problems, I’ve seen it all.”

It echoes something Moncrieff said earlier: Many of the people who seek help for drug problems at Antidote think nothing of their drinking, so normalised is it, that only when the service ascertains how much and how often they drink does the reality emerge: It’s not just the GHB for which they need help, but the G ’n’ T.

Naomi (far left), AJ (second from left), and Quincy (right)

Justine Trickett / BuzzFeed News

For Henry, having also lived in Exeter, the lack of options available to LGBT people for soberly connecting is even more evident in smaller towns outside of London. Queers Without Beers, therefore, provides an alternative to the conventional notion of what the scene is, he says, and such possibilities are just the start. “I think it’s only going to get bigger,” he says, adding that he also attends the London Gay Men’s Chorus with the man sitting next to him, Edo.

Like Henry, Edo is concerned by the bar and chemsex scene. At chill-out parties now, he says, “the sex is happening in parallel to the social gathering and often these people have no problem seeing their best buddies getting fucked.” There is little chance of hooking up here, however, he says. “It’s too mixed and silent – no music.”

Except, as we talk, I spot something: A young woman has approached BuzzFeed News’ (female) photographer, who afterwards confirms that this was at least an attempt at a hookup.

Edo is right about it being mixed, though: The ages of customers span twenties to sixties, with an almost equal balance of men and women – almost unheard of on the LGBT scene – alongside trans and nonbinary people. And while not entirely racially diverse, it is at least more so than in many bars.

Quincy – tall, smiley, and in his twenties – is standing six feet away from Henry and Edo, and has just emigrated from Bermuda. After three weeks in London he decided to come here because “Everywhere I go, people are like, ‘Drinks! Drinks! Drinks!’ and when you don’t drink much people think you’re weird.”

Behind him, AJ – crop-haired, pierced, middle-aged – stands with her new girlfriend, Naomi. AJ talks about San Francisco in the 1990s, where she lived, and where alcoholism was rife, prompting multiple queer coffee bars to open, something she foresees happening here. It all comes in cycles, she says. There’s another reason: “Everything is so expensive now if you want to go out for a drink, and not so many people can actually afford it.”

Justine Trickett / BuzzFeed News

Naomi begins to talk about her work at an alcohol recovery service in north London. “It’s about helping people who’ve quit to rebuild, to refocus, and that can be as simple as finding ways to have fun that don’t involve alcohol.” She glances around the room at everyone chatting happily, softies in hand.

“I’m in recovery myself,” she says suddenly, “and what I found when I went into alcohol services in Tottenham was I didn’t automatically feel comfortable to talk about myself as a lesbian in the group. In fact, there were three out of 12 people who were lesbians and we didn’t even know until we’d been there for a month and a half because nobody talked about their same-sex partners or the fact that part of why they’d started drinking was because they had been dealing with homophobia.”

“Part of recovery is about figuring out why this thing had become the problem”

She also mourns the closure of London’s oldest, beloved LGBT café, First Out, which for decades provided a haven away from Soho’s chemically enhanced intensity. “It was a massive community asset and nothing has replaced it,” she says.

“We’ve lost 70% of our nightlife,” adds AJ, referring to the dozens of LGBT venues that have shut this decade. Now, she says, she is one of a group of people planning a new LGBT community centre, partly to provide a dry venue. “The whole idea is to create a space where all people can socialise; it doesn’t have to be about alcohol.”

Justine Trickett / BuzzFeed News

Quincy joins the group, too, and the conversation turns variously to how young lesbians often identify differently to previous generations, how the butch/femme divide has broken down, and how during the AIDS crisis gay men began to adopt ever more hypermasculine imagery. As we discuss our identities and history it feels suddenly poignant: How often do we talk about who we are, or what it means to be queer, in a bar where people drink?

“The conversations we have here are not the same conversations that happen in a drunk state”

I head upstairs and barge in on a large table, seated at which are two friends: Kiku, a trans woman from Yorkshire wearing a hijab, and Moosa, from Oman. Kiku has the still, composed air of someone who observes people closely.

“It feels inclusive,” she says, gazing over at the patrons in front, adding that it’s annoying how much of the LGBT scene revolves around alcohol, the drinking of which is widely discouraged in Islam. “There’s a disconnect between LGBT groups. In Soho, if you have the same perspective as those people then you’re part of that group, but if you’re different, you’re ‘other’.”

By contrast, says Kiku, “I go to many other Muslim places that accept LGBT people.” But the media, she says, tells only one story about LGBT Muslims. “I don’t think every story has to be negative. There are plenty of Muslims with positive stories – you just have to open up to other cultures.”

Kiku (left) and Moosa.

Justine Trickett / BuzzFeed News

Moosa picks up this point, saying how much inclusion and representation drew him here.

“For me it’s important to be present in events like these, not only to make Oman present but also to establish that if we [LGBT people] in Oman are not able to be visible in our own communities then we can still be visible outside [Oman],” he says.

Moosa says although he does drink alcohol there is something unique here: the interplay between “the non-drinking culture and queer culture. There’s a different vibe. Many people here don’t drink and to have them comfortable makes me feel more comfortable. The conversations we have here are not the same conversations that happen in a drunk state.”

It is, he says, more intimate. “And if you don’t have that then you’re missing something.”

Laura Willoughby returns to this issue. “One of the most beautiful things in life is making connections with other people, and I’m so sad I did it through the prism of being absolutely wankered all the time.”

“I didn't have anyone to go home to of an evening. My drinking escalated”

Why did she drink so much? Willoughby begins by talking about our booze-soaked culture, and the cheap wine flowing freely in her previous life in politics, before finally invoking the personal. “I’m my father’s daughter,” she says. “I inherited his drinking habits,” and in a flicker, she adds, “And his boobs.”

As if aware that humour is as much an anti-intimacy device as drinking, she returns to the question.

Laura Willoughby

Justine Trickett / BuzzFeed News

“I didn’t have anyone to go home to of an evening. I didn’t have any family responsibilities, so I could carry on living a life that I lived in my twenties, and I ended up in a job that made me very unhappy. My drinking escalated and I realised I had to knock it on the head if I wanted to be the person that I was.”

She is hopeful about LGBT people and drinking, despite everything. “We’re taught in Britain to use alcohol when we’re happy, when we’re sad, stressed, anxious. It’s hard to go against that social norm but the queer community is good at accepting when someone says they don’t drink any more, because we’re used to acting outside of social norms.”

Willoughby is excited by how popular the evening has been, how diverse the crowd was, and how this is just the start. “There’s a lot to be gained from changing your relationship with alcohol,” she says, and as I say goodbye to her a face flashes into my mind: a friend who should have been here.

He grew up in the northeast of England, Mauritian-British, outrageously handsome. He loved a drink at university – always with a pint in his hand. He was never comfortable in himself, never OK being gay. Not unusual, really, certainly not in the 1990s when I knew him. Five years ago I received a message on Facebook telling me he had died. Only 37. He had drunk himself to death.

I wonder what he would have made of Queers Without Beers, of the mix of people, the funny drinks and truth-telling, the intimacy offered in place of ethanol.

As I leave I overhear two conversations: a man and a woman in late middle age discussing with great enthusiasm the French Revolution; two twentysomething lesbian friends discussing one of their relationships. Spirits of an altogether different kind, swirling all around.

I wish he could have seen this.


ICYMI Courtney Act Won The UK Version Of Celebrity "Big Brother" And People Are Pretty Bloody Happy

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Shane Jenek, aka Courtney Act, not only won the show but also a legion of fans through using Big Brother as a platform to educate viewers on queer issues.

Australians have known and loved Shane Jenek, who performs as drag queen, Courtney Act, ever since the early days of Australian Idol.

Australians have known and loved Shane Jenek, who performs as drag queen, Courtney Act, ever since the early days of Australian Idol.

Network 10

Then in 2014, Jenek/Act captured an international audience on RuPaul's Drag Race.

Then in 2014, Jenek/Act captured an international audience on RuPaul's Drag Race.

World of Wonder

"[Courtney] is more than an act. She's part of my gender expression. I used to think Courtney was just an act, but that was because I felt uncomfortable, I thought it was wrong," Jenek explained to his fellow housemates in an episode.

View Video ›

"I used to think there was something wrong with admitting that you enjoy dressing as a woman. And now I'm like 'oh, I actually really love it!'."

Facebook: video.php

Congrats!

Congrats!

Logo

25 LGBT Characters Who Made A Difference To People's Lives

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We asked readers for the characters who helped them understand who they are.

Willow (Alyson Hannigan) in Buffy the Vampire Slayer

Willow (Alyson Hannigan) in Buffy the Vampire Slayer

The show: A drama about vampires and demons that fucking rocked.

"Her relationship development with Tara [above left] was beautiful and on point. It felt like they came together naturally without compromising who Willow was as a person, and I still ship them forever."
– Suggested by katsby0105

Mutant Enemy Productions / 20th Century Fox

John Paul (James Sutton) and Craig (Guy Burnet) in Hollyoaks

John Paul (James Sutton) and Craig (Guy Burnet) in Hollyoaks

The show: A British soap opera, aimed mainly at teenagers.

"Just after my 14th birthday, I was watching Hollyoaks in the living room. This wasn’t anything out of the ordinary, and my mum happened to be watching it with me at the time. At the time, there was a ‘groundbreaking’ storyline surrounding a ‘will they, won’t they’ romance between John Paul and Craig.

"In this episode, John Paul has spilled his feelings to Craig. It was at this moment, as John Paul tried to leave via the back door, face burning with shame and confusion, that Craig chased him out the door. Then Craig, in a moment of passion, grabbed John Paul by the head and kissed him.

"I heard my mother clear her throat behind me and say: 'Jack, when are you bringing your boyfriend home?'

"To which I turned my head to regard her, haughtily retorting: 'When I get one.'

"Cue the classic ‘downaniddilynownownow’ sound of Hollyoaks ending, and I think that rounded off my ‘coming out’ quite nicely."
johnanthonyroberth

Channel 4 / Lime Pictures

Rosa (Stephanie Beatriz) from Brooklyn Nine-Nine

Rosa (Stephanie Beatriz) from Brooklyn Nine-Nine

The show: A sitcom about police detectives working in Brooklyn.

"It’s only in recent years I’ve even been willing to tell other queer people my true sexuality. Seeing Stephanie Beatriz be so open about her bisexuality online has been a great confidence booster. When they made her character, Rosa Diaz, bi, I decided to come out to my family and my best friend, because if Rosa Diaz can come out like it’s no big deal so can I. (But it actually was a big deal, so I’m glad everyone took it well.)"
kare4mexico
"So many storylines about coming out focus on teens or college students; this was the first time a character’s story felt close to mine. And the fact that they actually had her use the word 'bisexual' is huge! No 'I don’t like labels' beating around the bush. I love that show so much."
lily9

Fremulon / Fox

Jack (Kerr Smith) in Dawson's Creek

Jack (Kerr Smith) in Dawson's Creek

The show: An American teen drama that was huge in the late ’90s.

"His coming out was mindblowing to me. Never had seen anything like it on TV. Up until watching this I never even thought about coming out myself and having a 'normal' life. I still tear up if I think about that scene where he's all 'I didn't ask to be gay.' It killed me, because it put in words what I was feeling at the time."
– Tom, Facebook

"It also portrayed how accepting yourself and coming out to close ones is one thing, but to put yourself out there to begin dating and allowing yourself to find romance is a whole other obstacle most LGBTQ people have to deal with – and it's not always easy."
jrmybr93

The WB / E4 / Sony Pictures Television

Isak (Tarjei Sandvik Moe) in Skam

Isak (Tarjei Sandvik Moe) in Skam

The show: A Norwegian teen drama that became huge on the internet.

"I could relate. You could see he knew it deep down but was burying and hiding it as best he could, something I started doing from a very young age. It was very encouraging and helpful to see his road to acceptance."
rosaw4c34d7795

NRK

Ellen (Ellen DeGeneres) in Ellen

Ellen (Ellen DeGeneres) in Ellen

The show: A ’90s sitcom that was one of the first shows featuring an openly gay character on US network television.

"For me, it was definitely Ellen. I was still in high school and it was not long after the death of Matthew Shepard happened. I still remember when she came out to speak about what happened and said, 'This is why I did what I did.'

"It gave me the courage to stand up and be proud of myself for all those who had suffered from so much hate."
kennyl4c70021e3

ABC / The Black/Marlens Company

Titus (Tituss Burgess) in Unbreakable Kimmy Schmidt

Titus (Tituss Burgess) in Unbreakable Kimmy Schmidt

The show: A comedy-drama, created by Tina Fey, available on Netflix.

"Seeing someone who was openly gay and so confident about it really helped me come to terms with my own sexuality and inspired me to come out. Although my parents did not take it well, I have no regrets whatsoever."
– Kevin, Facebook

Eric Liebowitz/Netflix

Adam (Jordan Todosey) in Degrassi: The Next Generation

Adam (Jordan Todosey) in Degrassi: The Next Generation

The show: A Canadian teen drama set in a community school.

"It wasn’t until I was 19 that I started to question my own gender identity. I finally came out when I was 21 and I still think back to Adam and his story."
samuelw4abb07710

"Adam from Degrassi helped me come out as transgender, and also helped with my name choice!"
adamlemieux

MTV / Epitome Pictures

Santana (Naya Rivera) in Glee

Santana (Naya Rivera) in Glee

The show: A drama where all the characters cover popular songs.

"I could relate to the scene where she came out to her abuelita [her grandmother] who didn't accept her and how she was outed at school. She was basically pushed out of the closet and it was similar to what I went through."
yungprince

"Santana Lopez, thank you."
shelbydimick

20th Century Fox Television / Fox

Adena (Nikohl Boosheri) in The Bold Type

Adena (Nikohl Boosheri) in The Bold Type

The show: A comedy-drama set around three friends in New York City.

"She's the first and only Persian lesbian I've ever seen on a TV show. If she can be so out and proud with her sexuality and culture, why can't I?"
– Suggested by khakazit213

Freeform / The District / Via pixel.nymag.com

Bill (Pearl Mackie) in Doctor Who

Bill (Pearl Mackie) in Doctor Who

The show: A box that is bigger on the inside than the outside.

"That representation of a lesbian character in a TV show that was kid=friendly really helped. I was able to say to my family, 'Look, here’s someone who’s like me.'"
lucyt4d26ae8a3

Ray Burmiston / BBC/ BBC Worldwide

Callie (Sara Ramirez) in Grey's Anatomy

Callie (Sara Ramirez) in Grey's Anatomy

The show: An American medical drama, set in Seattle.

"Watching her struggle and come to terms with being attracted to both men and women, and realise that it is okay and valid, helped me start exploring and accept my own feelings and sexuality."
– Sam, Facebook

ABC Studios

Korra (Janet Varney) and Asami Sato (Seychelle Gabriel) in The Legend of Korra.

Korra (Janet Varney) and Asami Sato (Seychelle Gabriel) in The Legend of Korra.

The show: An anime-style kids' show that aired on Nickelodeon.

"The fact that both of them are bisexual not only offered an explanation for how I had been feeling, but also validated my sexuality. Not to mention, it was all on ‘kids'’ show! Representation is so important."
– Katherine, Facebook

Nickelodeon Animations Studio

Justin (Mark Indelicato) in Ugly Betty

Justin (Mark Indelicato) in Ugly Betty

The show: A drama about a woman who, despite not being fashionable at all, lands a job at a fashion magazine.

"I already knew that I was gay, but they helped me to contextualise it and to worry less that it meant my life was over before it started."
benwmfranklin

Ventanarosa Productions / Ugly Betty

Sailor Neptune (Masako Katsuki) in Sailor Moon

Sailor Neptune (Masako Katsuki) in Sailor Moon

The show: A Japanese anime, adapted from famous manga books.

"Here she was: this ultra-cool, confident, unabashedly feminine lesbian who everyone wanted to be. It also helped that while shows like Ellen weren’t allowed in my house, Sailor Moon flew under the radar."
thescythian

TV Asahi / Madman Entertainment

Shane (Katherine Moennig) from The L Word

Shane (Katherine Moennig) from The L Word

The show: A drama following a group of lesbians, which ran on Showtime in the late ’00s.

"It was Shane from The L Word that helped me realise I was trans and that it was OK."
– Suggested by graysonm4c9e2a968

Showtime

Amy (Rita Volk) in Faking It

Amy (Rita Volk) in Faking It

The show: A comedy-drama that ran on MTV and was cancelled in 2016.

"Faking It really helped me figure out my feelings in college. I knew I had always had these feelings throughout my life, but I didn’t quite understand them. Amy’s journey in Faking It felt a lot like mine. I went through a dark period when I was figuring out my sexuality and this show made me see that the way I was feeling was perfectly normal. It also taught me that I wasn’t stuck with just one label. I could identify as whatever I want or say screw labels all together."
saraelizabethb439ed551d

MTV / Viacom Media Networks

Kurt (Chris Colfer) in Glee

Kurt (Chris Colfer) in Glee

"I was raised in a Christian home by my grandmother and one of the ways we bonded was by watching TV together. One night, we're watching Glee together and there's a scene where Kurt came out to his father. My grandmother said, 'It doesn't take a rocket scientist to figure out he's a faggot.' It upset me so much.

"I tried explaining to her why it wasn't okay to call people 'faggots', but it was like talking to a brick wall, and I was so frustrated that I started to cry. My grandmother condescendingly then asked, 'What, are you gay?' And then I said, 'No, but I like girls.'

"And that's the story of how Kurt from Glee helped me come out to my family as bisexual. She's now much more accepting of my sexuality and no longer uses that word."
quetta

20th Century Fox Television / Fox

David (Daniel Levy) in Schitt's Creek

David (Daniel Levy) in Schitt's Creek

The show: A Canadian sitcom, following friends and families around a place called Schitt's Creek.

"The pansexual character David Rose on Schitt’s Creek helped me come to terms with my sexuality – something I had wrestled with for my entire life. Many thanks to Dan Levy for bringing to life something that actually made a difference, even though I’m just one person."
davidcrose89

CBC Television / Not a Real Company Productions

Elena (Isabella Gomez) in One Day at a Time

Elena (Isabella Gomez) in One Day at a Time

The show: A sitcom about a Cuban-American family, which you can watch on Netflix.

"I related to her hugely even before her coming out, and it was so realistic that I cried when it was finally revealed."
akikagami

Mike Yarish/Netflix

Maxxie (Mitch Hewer) in the British version of Skins

Maxxie (Mitch Hewer) in the British version of Skins

The show: A British teen drama and a launchpad for two Oscar-nominated actors (Dev Patel and Daniel Kaluuya).

"I came out to my parents after binge-watching it one summer and deciding I wanted to be him."
@MJRgrs

Company Pictures / E4

Yael (Jamie Bloch) in Degrassi: Next Class

Yael (Jamie Bloch) in Degrassi: Next Class

The show: A different Canadian teen drama set in Degrassi Community School.

"Yael helped me come out as nonbinary. I just related to them so much as a high school student and their story was as if it was mine."
dsdorso

ABC / Windsor & Johnson Productions / Via youtube.com

Justin (Randy Harrison) in Queer as Folk USA.

Justin (Randy Harrison) in Queer as Folk USA.

The show: An American remake of the British drama following gay friends.

"His character was only a few years older than me when I first saw him. Before him, most gay characters were a bit PG. He was the first honest portrayal of a gay teen that I ever saw. I figured if Justin could do it, I could too!"
– Brent, Facebook

Showtime / Cowlip Productions

Kalinda (Archie Panjabi) on The Good Wife

Kalinda (Archie Panjabi) on The Good Wife

The show: An American legal drama that ended in 2016.

"She's bi, like me, but her sexuality doesn't define her character. A lot of shows with queer representation are aimed at a younger audience. It was important to me to see myself on a show my parents watch."
– Helene, Facebook

CBS / CBS Television Studios

And Kelly (Gugu Mbatha-Raw) and Yorkie (Mackenzie Davis) in the "San Junipero" episode of Black Mirror

And Kelly (Gugu Mbatha-Raw) and Yorkie (Mackenzie Davis) in the "San Junipero" episode of Black Mirror

The show: A show where usually everything is horrible and makes you fear for humanity's future, the exception being this amazing episode.

"I am already out as bisexual, but Kelly from the "San Junipero" episode of Black Mirror was instrumental in helping me to finally feel like my sexuality was valid and felt by other people. I knew this rationally, but for some reason, seeing it actually represented in a television show, and represented so accurately, was amazing."
rebecca0815

Laurie Sparham/Netflix

Note: Some entires were edited for length and/or clarity.

This Top Psychiatrist Says Anti-Gay Politicians Can Contribute To The Suicides Of LGBT People

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BuzzFeed

Politicians’ anti-gay policies and homophobic speech can play a role in the suicides of LGBT people, according to one of the world’s leading psychiatrists.

Professor Dinesh Bhugra's remarks follow the decision last week of Belfast-based suicide prevention charity Lighthouse to suspend a board member for tweeting that the Democratic Unionist Party's opposition to equal rights leads to suicides.

Bhugra, a former president of both the Royal College of Psychiatrists and the World Psychiatric Association, told BuzzFeed News that discrimination on the grounds of sexual orientation “can contribute to suicide, suicidal ideation and self-harm”.

There is, said Bhugra, “a very clear link between policy, social factors and psychiatric problems in LGBT groups” with one of the three main causes of suicide being the social environment in which lesbian, gay, bisexual, and transgender people live.

“Social causation [of suicide] is well linked with the state of the society and how people feel they fit in – or don’t,” he said. “If there is no equity and one group is seen as inferior then it is inevitable that there will be problems in self-image and self-esteem and that may contribute to the feeling of worthlessness.”

This feeling of low self-esteem is a key factor in many suicides, said Bhugra, who characterised the internal thought process as, “If I don’t feel valued by the society – who’s going to miss me? – I might as well die.”

Bhugra, who also takes up presidency of the British Medical Association this summer, spoke out after Lighthouse mounted an investigation into Malachai O’Hara, a trustee, for tweeting that the DUP’s “homophobia is killing kids across the country”. Northern Ireland has the highest suicide rate in the UK.

O’Hara also mentioned in his tweet newly appointed DUP councillor Dale Pankhurst, who in turn made a complaint to Lighthouse, prompting the investigation. Pankhurst told a local newspaper he “doesn’t have a homophobic bone” in his body and “knows many people who are gay”. Lighthouse said O’Hara’s views do not “reflect or represent” the charity.

Lighthouse

But according to Bhugra, whether or not politicians consider themselves to be homophobic is immaterial if they support policies that deny LGBT people equality.

“There is very clear evidence that common mental health disorders like anxiety and depression are higher in LGBT groups,” he said, “and there was a study in the States where they showed that if you go for equality and change the [anti-gay- laws] the rates of common disorders start to drop among the LGBT population. So it indicates that there are social causes at play which can cause psychiatric distress which can then lead to suicide.”

As such, he added, politicians must consider the rhetoric and policies they promote. “If you are not homophobic then you should be fighting for equality for everyone. You can’t say, ‘I’m not homophobic’ but somehow they should be treated differently.” Those who deny any link between their opposition to LGBT rights and the worsened mental health of this community are, he said, “not connecting the dots”.

According to the World Health Organisation, “discrimination [against LGBT people] […] can lead to the continued experience of stressful life events such as loss of freedom, rejection, stigmatization and violence that may evoke suicidal behaviour.”

A 2017 study in the British Journal of Psychiatry into sexual orientation and suicidal behaviour in young people concluded that lesbian, gay, and bisexual people are at greater risk of suicide. And the work of psychiatric epidemiologist Ilan Meyer since 2003 into the adverse psychological effects of prejudice on LGBT people has given rise to “minority stress theory”, in which groups subject to discrimination are thought to suffer worse mental health.

Bhugra also called on mental health practitioners to "ask about sexual orientation" so that treatment can be best tailored to the individual's needs. Coroners, he added, should in future be required to record – where possible – the sexual orientation of those who take their own lives, in order that the authorities have data on the scale and proportion of LGBT people who kill themselves. Combatting LGBT suicide, he said, "has to work at policy, service delivery and social attitudes – all three levels".

The policies of the DUP within a range of social issues have come into sharper focus since last summer after Theresa May agreed to give Northern Ireland an extra £1bn in exchange for the support of the DUP’s 10 MPs – enough to secure her a majority in the House of Commons.

Malachai O'Hara (left)

Twitter

The DUP, Northern Ireland’s largest party, has blocked five votes on same-sex marriage this decade, and has opposed equal rights for LGBT people since its formation in 1971 by the late Ian Paisley.

Later that decade, Paisley ran the “Save Ulster From Sodomy” campaign in opposition to the proposed decriminalisation of homosexuality. Since then, his party has voted against an equal age of consent, fertility rights for lesbian couples, civil partnerships, and against transgender people to have legal recognition.

DUP politicians have also been outspoken in opposing LGBT rights. Paisley’s son, Ian Paisley Jr, also a DUP MP, has described gay relationships as “immoral, offensive and obnoxious”, has said he is “repulsed by gay and lesbianism” and that “these people harm themselves and, without caring about it, harm society”.

The former First Minister Peter Robinson described homosexuality as an “abomination” after his wife said homosexuality and sodomy was “viler” than sexually abusing children. And in 2015, Jim Wells, then the DUP health minister, said a child is “far more likely to be abused and neglected” if raised by gay parents.

Bhugra said everyone, including those in public life, "should be aware of the words we use" and that politicians "have an ethical responsibility to make sure [it is] equality first".

Yesterday, Cllr Pankhurst tweeted to say he had been to visit Lighthouse, and that the charity told him that O’Hara’s views did not reflect theirs.

The board will meet later this week to decide on further action, BuzzFeed News understands. Pankhurst declined to comment on the matter, directing BuzzFeed News to the DUP for a response. The party did not respond to a request by BuzzFeed News. O’Hara said he would not comment until after the investigation.

Here's The Most Popular Sex Toy In Your State

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What’s your state’s ~sex toy personality~?

Everyone's sex toy taste is different, but some popular and trendy choices always prevail.

Everyone's sex toy taste is different, but some popular and trendy choices always prevail.

Online adult product retailer Adam & Eve figured out the best-selling sex toy in each state based on sales data from 1.5 million unique buyers who ordered 6.5 million items through their site in 2017.

DRUMROLL, PLEASE:

youtube.com

We-Vibe Nova, Alaska

We-Vibe Nova, Alaska

Buy it on Adam & Eve for $149.

adameve.com

Fifty Shades Desire Explodes G-Spot Vibe, Arkansas

Fifty Shades Desire Explodes G-Spot Vibe, Arkansas

Buy it on Adam & Eve for $76.49.

adameve.com

Womanizer Deluxe, California

Womanizer Deluxe, California

Buy it on Adam & Eve for $229.

adameve.com

Fifty Shades Greedy Girl G-Spot Vibe, Colorado

Fifty Shades Greedy Girl G-Spot Vibe, Colorado

Buy it on Adam & Eve for $84.99.

adameve.com

Fun Factory Stronic Drei, Connecticut

Fun Factory Stronic Drei, Connecticut

Buy it on Adam & Eve for $199.99.

adameve.com

A&E Butterfly Kiss, Delaware

A&E Butterfly Kiss, Delaware

Buy it on Adam & Eve for $19.95.

adameve.com

We-Vibe Sync, Florida

We-Vibe Sync, Florida

Buy it on Adam & Eve for $199.

adameve.com

A&E Silicone G-Gasm Rabbit, Georgia

A&E Silicone G-Gasm Rabbit, Georgia

Buy it on Adam & Eve for $49.95.

adameve.com

Magic Wand Rechargeable, Hawaii

Magic Wand Rechargeable, Hawaii

Buy it on Adam & Eve for $159.95.

adameve.com

Fifty Shades Greedy Girl G-Spot Vibe, Indiana

Fifty Shades Greedy Girl G-Spot Vibe, Indiana

Buy it on Adam & Eve for $84.99.

adameve.com

A&E Magic Massager Deluxe 8x, Iowa

A&E Magic Massager Deluxe 8x, Iowa

Buy it on Adam & Eve for $69.95.

adameve.com

OhMiBod Club Vibe 2, Kansas

OhMiBod Club Vibe 2, Kansas

Buy it on Adam & Eve for $89.95.

adameve.com

A&E Thruster, Kentucky

A&E Thruster, Kentucky

Buy it on Adam & Eve for $149.95.

adameve.com

Womanizer Deluxe, Louisiana

Womanizer Deluxe, Louisiana

Buy it on Adam & Eve for $229.

adameve.com

Pure Enrichment Peak Wand Massager, Maine

Pure Enrichment Peak Wand Massager, Maine

Buy it on Adam & Eve for $69.95.

adameve.com

Fifty Shades Greedy Girl G-Spot Vibe, Maryland

Fifty Shades Greedy Girl G-Spot Vibe, Maryland

Buy it on Adam & Eve for $84.99.

adameve.com

Fleshlight Stamina Trainer Value Pack, Massachusetts

Fleshlight Stamina Trainer Value Pack, Massachusetts

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This Island Just Became The First Place In The World To Repeal Same-Sex Marriage

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Drew Angerer / Getty Images

Bermuda has become the first national territory in the world to roll back same-sex marriage.

The British overseas territory's governor signed legislation into law Wednesday night that replaces same-sex marriages with domestic partnerships.

Rights groups said the move was unprecedented on the world stage, and stripped same-sex couples of the right to marry, while politicians in Britain expressed profound disappointment, calling it a "backwards step" for human rights in Bermuda.

Ty Cobb, director of HRC Global, said: "Despite this deplorable action, the fight for marriage equality in Bermuda will continue until the day when every Bermudian is afforded the right to marry the person they love.”

The island's minister of home affairs said the law gave same-sex couples "equivalent" rights to heterosexual married couples.

Same-sex couples had been able to marry on the remote North Atlantic Ocean island – home to around 65,000 people – since a supreme court ruling there in May last year, which led to protests on the socially conservative territory.

The previous year, two-thirds of voters had rejected same-sex marriage in a referendum, although turnout was low at below 50%.

Then last December, Bermuda's senate and house of assembly passed legislation by wide margins to replace same-sex marriage with domestic partnerships.

Bermuda's tourism authority warned last year that the proposed law posed an "unnecessary threat" to the tourism industry, the island's second biggest.

"It’s not only LGBT travellers that care about equal rights based on sexual orientation. Our research indicates many companies, consumers, and travelers, including the overwhelming majority of the younger visitors powering Bermuda’s growth, care about this issue," Bermuda Tourism Authority CEO Kevin Dallas wrote in a letter to lawmakers last December.

But on Wednesday, the island's governor, British diplomat John Rankin, said in a brief that “after careful consideration in line with my responsibilities under the constitution, I have today given assent to the Domestic Partnership Act 2017.”

Bermuda's minister of home affairs, Walton Brown, said in a longer statement that the new law gave same-sex couples the "equivalent" rights of married heterosexual couples, including over inheritance, access to property rights, and the ability to make medical decisions on a partner's behalf.

"While the majority of Bermudians do not agree with same-sex marriage – as evidenced by the referendum – it is the government’s belief that this Act addresses this position while also complying with the European courts by ensuring that recognition and protection for same-sex couples are put in place," Brown said.

"The Act is intended to strike a fair balance between two currently irreconcilable groups in Bermuda, by restating that marriage must be between a male and a female while at the same time recognising and protecting the rights of same-sex couples."

The minister added that the same-sex couples married between last May's supreme court decision and the new law coming into effect would continue to be recognised as being married.

Bermuda's official status is as a British overseas territory, meaning it is self-governing but the UK has responsibility for foreign policy and defence.

In the UK, opposition politician Chris Bryant said that British foreign secretary Boris Johnson had not opted to intervene in the Bermudian legislation being passed, something that he said "totally undermines" British efforts to advance LGBT rights.

After Bryant raised the issue in Parliament on Thursday morning, UK government minister Harriett Baldwin said: "We are obviously disappointed about the removal of same-sex marriage in Bermuda."

She said that after "full and careful consideration" of Bermuda's constitutional and international obligations, Johnson had decided that it would "not be appropriate" to block the legislation, something she said only took place in exceptional circumstances.

Bryant responded by saying: "However the government tries to dress this up, it is a backwards step for human rights in Bermuda and in the overseas territories."

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